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Register a new userPicasso and the Employing of Collage in Synthetic Cubism Sculpture
بيكاسو و توظيف القص و اللصق في النحت التكعيبي التركيبي
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هدفت هذه الدراسة البحثية القصيرة إلى تعرف بعضٍ أعمال الفنان بيكاسو بوصفه واحداً من أهم الأسماء الشهيرة في الفن الحديث و خاصة في مجال النحت، و كيفية بداياته التي وّلدت الإلهامات و الأفكار الإبداعية لديه التي بدأت بالتصوير، و انتهت بخلق أشكال فريدة في الفراغ لم يسبقه إليها أحد، و ذلك استناداً إلى المدرسة التكعيبية التي يعد بيكاسو من مؤسسيها و مبدعيها . كما تأتي أهمية البحث من خلال معرفة الأسلوب و عملية المزاوجة بين التقانات و المواد المتعددة من جهة و الحالة الإبداعية من جهة أخرى، فقد وظف الفنان إمكانياته الإبداعية غير المنتهية بأسلوب مميز يعبر عن شخصيته و أفكاره الخلاقة مقدماً بذلك مفهوماً جديداً و غريباً في عالم النحت من حيث الشكل و المضمون، و قد استطاع من خلالها و بتألق كبير الدمج بين تقنية القص و اللصق ( الكولاج ) و فن النحت بطريقة التركيب و البناء، مقدماً أعماله في مجال التكعيبية التركيبية كشاهد على عبقريته .
This research study aims to investigate some works of Picasso, as one of the most famous names in modern art, especially in sculpture domain, as well as the way of his beginnings that feed him back with the inspirations and the creative ideas. These last two ones which started with painting and ended by creating unique patterns in the space that no one has ever discovered before. It was according to the cubism school, in which Picasso is considered one of its founders and creators. The importance of this research comes mainly form the knowledge of the way of merging between mechanisms and multiple items on one side, and the creativity statue on the other side. Artist have employed his unlimited creative skills in such a discriminated style representing his character and his inventive thoughts. In that way, he established a new and a strange concept in sculpture world, whence the form and the essence, and through that he can merge resplendently between collage and sculpture under one umbrella, compounding and construction. His works in Synthetic cubism was evidence on his ingeniousness.
References used
Cowling, Elizabeth: Picasso Style and Meaning, London, 2002
Read, Herbert: Modern Sculpture “a concise history”, 1964, Thames and Hudson
Rhodes, Colin: Primitivism and Modern Art, 1994, Thames and Hudson, London
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