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Register a new userملامح البطولة الأسطورية في الشعر الجاهلي
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طالب العامودي( باحث )
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يناقش هذا البحث ملامح البطولة الأسطورية في الشعر الجاهلي, هذه البطولة التي تجسدت بوضوح في الأدب اليوناني كملاحم هوميروس ( الإلياذة ) و ( الأوديسة ) في حين لم يعرفها العرب في الجاهلية.
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References used
صور الحرب و أبعادها الأسطورية في الشعر الجاهلي, ابتسام نايف صالح أبو الرب, رسالة ماجستير, جامعة النجاح الوطنية, فلسطين, نابلس, 2006.
الجبل في الشعر الجاهلي, محمد سمارة صالح, رسالة ماجستير, جامعة النجاح الوطنية, 1999.
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This research talks about the value of sublime being one of the aesthetic values
which underlie aesthetics . The Galilee in one of the manifestations of fear and power -
Based on these two principles- It can be embodied in the image of the hero , B
ecause he
faces his fear ramming it , Impervious to death , This intrusion is based on the principle of
force , So is the manifestation of an individual tournament , Because the hero has a distinct
recipes , Not owned by someone else .
research depends on the selection of the Poetry models Describes the image of the
hero Which becomes solemn Through its potential Which is trying to achieve it , And
while achieved proves itself , And makes it superior to others with , And poets have
legalized the language in these selected models make it sensuous standard And
psychological And mental for al Jalil which the feeling self for a way to prove majesty .
Many images of sea, sea waves and ships is repeated in al-Jahili poetry; sometimes,
such images are formulated partially in one single line of verse or as a quick flicker, if not
such those detailed or circumlocutory images; other times, they occur
as comprehensive
images that embody the poet's collective literary experience, upon which textual symbols
are structured in the form of oppositional or substitutive functions and suggestions.
This piece of research concludes that such maritime images take place in three
contexts: either in the howdahs' or riding camels journeys in which the image of the shiphowdah
or ship-camel appears; or, in love poetry, in which the image of the pearl woman
appears. Or, they may occur while disclosing the poetical self when highly indulged in
rhetoric, semantics and oration, not to mention vainglory, generosity and hospitality
speeches.
In brief, this research attempts to explain the relationship of such images to the
structure of the al-Jahili poem, the poetical self, the human temperament, and his
psychological and cultural horizons.
This piece of research endeavour to analyse the poetical structure of one of the most
recognizable Umayyad poets. He was the poet of the sensitive imagination that is
dominated by mind. He used to handle, and as well critically probe, each of his p
oems
singly. This had manifested his poetry as well-structured, fully-fledged talendedness,
accurate expressions and fluent pouring of thoughts. He stood as one of the most apparent
three poets of their period: Jareer and al-Farazdaq. He had highlighted the literary heritage
and superby handled it.
This piece of research attempts to concentrate on the most obvious characteristics of
the human self as observed by al-Akhtal al-Kabeer through penetrating his literary style,
the most distinguishable psychological features, and studying these features quite
considerably. Toward this temptation, the research tends to examine these most
recognizable features in the anthology of the great poet al-Akhtal al-Kabeer where he
constitutes a unique experience in the field of the literary and poetical creativity: he
surpasses his peers and contemporary poets, and gains the admiration of the authoritative
circles. All this continues in an attempt to recognize the the most promoted features of this
self, and the deep influence that the Arabic literary production witnesses.
This research talks about the value of sublime being one of the aesthetic values
which underlie aesthetics. Sublime indicates from one hand adding respect and veneration
to what the sublime person does including noble actions, through which he gets
higher than
others. And this what generosity can do being a way to reach the sublime, thus we
privileged generosity and showing its relation tosublime asan aesthetic value. Therefore,
generosity is an individual and social trait which is achieved through giving money or
doing a Nobile action, which makes the person who does it deserve respect and reverence.
Hence, the value off sublime is to reveal the generosity aspect when it is formed in
oneself, and this is as the sublime value is reflected in others, who benefited from it,
watched it or heard about it.
our research is a vital part in describing the sufferer. Depression,
elegy and crying describe clearly the concept of the sufferer ''as an
aesthetic feature''. So, the essence of suffering lies in basic issues
that undergo negative emotions which make the sufferer unable to
move in the real world properly.
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