Do you want to publish a course? Click here

ملامح البطولة الأسطورية في الشعر الجاهلي

1132   1   165   0 ( 0 )
 Publication date 2016
and research's language is العربية
 Created by Shamra Editor




Ask ChatGPT about the research

No English abstract



References used
صور الحرب و أبعادها الأسطورية في الشعر الجاهلي, ابتسام نايف صالح أبو الرب, رسالة ماجستير, جامعة النجاح الوطنية, فلسطين, نابلس, 2006.
الجبل في الشعر الجاهلي, محمد سمارة صالح, رسالة ماجستير, جامعة النجاح الوطنية, 1999.
rate research

Read More

This research talks about the value of sublime being one of the aesthetic values which underlie aesthetics . The Galilee in one of the manifestations of fear and power - Based on these two principles- It can be embodied in the image of the hero , B ecause he faces his fear ramming it , Impervious to death , This intrusion is based on the principle of force , So is the manifestation of an individual tournament , Because the hero has a distinct recipes , Not owned by someone else . research depends on the selection of the Poetry models Describes the image of the hero Which becomes solemn Through its potential Which is trying to achieve it , And while achieved proves itself , And makes it superior to others with , And poets have legalized the language in these selected models make it sensuous standard And psychological And mental for al Jalil which the feeling self for a way to prove majesty .
Many images of sea, sea waves and ships is repeated in al-Jahili poetry; sometimes, such images are formulated partially in one single line of verse or as a quick flicker, if not such those detailed or circumlocutory images; other times, they occur as comprehensive images that embody the poet's collective literary experience, upon which textual symbols are structured in the form of oppositional or substitutive functions and suggestions. This piece of research concludes that such maritime images take place in three contexts: either in the howdahs' or riding camels journeys in which the image of the shiphowdah or ship-camel appears; or, in love poetry, in which the image of the pearl woman appears. Or, they may occur while disclosing the poetical self when highly indulged in rhetoric, semantics and oration, not to mention vainglory, generosity and hospitality speeches. In brief, this research attempts to explain the relationship of such images to the structure of the al-Jahili poem, the poetical self, the human temperament, and his psychological and cultural horizons.
This piece of research endeavour to analyse the poetical structure of one of the most recognizable Umayyad poets. He was the poet of the sensitive imagination that is dominated by mind. He used to handle, and as well critically probe, each of his p oems singly. This had manifested his poetry as well-structured, fully-fledged talendedness, accurate expressions and fluent pouring of thoughts. He stood as one of the most apparent three poets of their period: Jareer and al-Farazdaq. He had highlighted the literary heritage and superby handled it. This piece of research attempts to concentrate on the most obvious characteristics of the human self as observed by al-Akhtal al-Kabeer through penetrating his literary style, the most distinguishable psychological features, and studying these features quite considerably. Toward this temptation, the research tends to examine these most recognizable features in the anthology of the great poet al-Akhtal al-Kabeer where he constitutes a unique experience in the field of the literary and poetical creativity: he surpasses his peers and contemporary poets, and gains the admiration of the authoritative circles. All this continues in an attempt to recognize the the most promoted features of this self, and the deep influence that the Arabic literary production witnesses.
This research talks about the value of sublime being one of the aesthetic values which underlie aesthetics. Sublime indicates from one hand adding respect and veneration to what the sublime person does including noble actions, through which he gets higher than others. And this what generosity can do being a way to reach the sublime, thus we privileged generosity and showing its relation tosublime asan aesthetic value. Therefore, generosity is an individual and social trait which is achieved through giving money or doing a Nobile action, which makes the person who does it deserve respect and reverence. Hence, the value off sublime is to reveal the generosity aspect when it is formed in oneself, and this is as the sublime value is reflected in others, who benefited from it, watched it or heard about it.
our research is a vital part in describing the sufferer. Depression, elegy and crying describe clearly the concept of the sufferer ''as an aesthetic feature''. So, the essence of suffering lies in basic issues that undergo negative emotions which make the sufferer unable to move in the real world properly.
comments
Fetching comments Fetching comments
Sign in to be able to follow your search criteria
mircosoft-partner

هل ترغب بارسال اشعارات عن اخر التحديثات في شمرا-اكاديميا