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Register a new userصورة الخليفة و مفهوم «النموذج» «شعر شعراء الطبقة الإسلامية الأولى من طبقات ابن سلاّم نموذجاً»
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Damascus University ورقة بحثية
Publication date
2006
fields
Arabic
and research's language is
العربية
Authors
فاطمة تجور( باحث )
Created by
Shamra Editor
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يحاول هذا البحث رصد مفهوم «النموذج » و تطوره في شعر الطبقة الإسـلامية الأولى من طبقات ابن سلام الجمحي، فيحدد أولاً مفهوم «النموذج» في الشعر الجاهلي عامة، و في شعر المديح خاصة. ثم يتتبع هذا المفهوم و تطوره في صدر الإسلام و يبين أن هذا التطور نجم عن تغير منظومة القيم، و اتصال المدح بأحداث الحياة.
No English abstract
References used
الأصفهاني (أبو الفرج ) الأغاني عن طبعة بولاق الأصلية – بيروت
الراعي النميري: ديوان الراعي جمعه وحققه راينهرت فايبرت – بيروت 1980 م
الجمحي (ابن سلام) طبقات فحول الشعراء شرحه محمود محمد شاكر – دار المعارف.
rate research
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''al-Quds'', The Palestenian cause especially has always Been the main interest of the Arab Poets for a long time .This interest has increased after the 1948 '' Nakbeh '' However, this cause hasn't been away from the interest of the Iranian poets a
fter the victory of their revolution in 1979. By the leader of the Islamic revolution the pussing I mam Ayatollah Khomeini who set the last Friday of Ramadan as AL-Quads day to remind the whole world of the depression, hardship, torment and suffering the people of Palestine are exposed to .
This research discusses the most important pieces of evidence put forward by Ash'ari thinkers on two very important issues: formation of the world and the idea of causality. Depending on IbnRushd's reading, the paper also highlights the most import
ant loose and weak points Ash'ari inferences. Ibin Rushd, a pioneer of the intellectual trend in Islamic philosophy, saw in the treatment of these two issues represented an epistemological obstacle faced by Arab-Islamic mind and stood between it and the causal understanding of the universe. The philosopher Averroes sensed the danger of the absence of objective consciousness of the universe and the nature in Arabic and Islamic philosophy. In an attempt transform society from a state of theological submission to one of scientific certainty, he tried to lay the ground for a vision depending on the mind.
Many sources have urged IbnKhafajah to be so keen on woman, which had so clear
impact on his soul, and this has led him to experience love in a distinctive manner. Those
factors have overlapped with each other to form an integrated fabric, Which ha
s been
overwhelmed by the poet's passionate soul against the harbingers external reality. He hasn't
left his surroundings to escape the deteriorated political and social conditions. However, he
turned toward the depth of his soul, rebelling against those conditions and refusing them.
Throughout his artistic pictures, he has drawn his relation with woman taking from nature
his own distinctive psychological view. Therefore, woman becomes a sensory and merely
concept at the same time. He has started to gift it the most sincere and hottest emotions. So,
it has been crucial to realise the factors that which have shaped the motives of his own
experience with woman and problematic of her existence in in his poetry and his life.
IbnKhafajah's flirtatious experience and his relation with woman are to with factors
connected with political and social conditions that have distinguished his era, and others;
inner, related to his distinctive personality. These factors have helped to shape this
experience for the poet and develop and matur it.
We try through this research to focus on a basic and important issue, which is movement according to Ibn Sina, as we deal in it with his definition of movement, in which he was not limited to the ideas of force and action, but looked at it from anoth
er angle, explaining the most important matters that movement requires and is related to, and we try to show the difference Between movement and change so that we can identify the most important categories in which movement occurs without the other ten categories and their connection to the place, and we try to show Ibn Sina’s position on movement in itself in terms of its unity, its abundance, its measures and its contradiction, and how he responded to all the objections related to movement and its provisions.
The article aims to study the effect of layer thickness and reflection coefficient variation on the image of synthetic seismogram, which is generated by using Ricker Wavelet with wide range of frequencies (20-130Hz) and Vibrator Sweeps with many freq
uencies ranges (5-170Hz) as a known technique in reflection seismic method on land. The Researcher tried to
determine the relationship between signals recording times and reflection coefficients variation from first side, and recording times with layer thickness variation from second side. The result which is observed that; the recorded times increased proportionally with increasing of the layer thickness (as we
know), but it is delayed with exponential relation when the velocity and density are varied within the same layer. New manner is applied to represent the result by using the conversion of time seismic section to raster images by using GIS,
this way gave us ability to control the colored scale which reflects the amplitude of recorded signals, and follows the reflectors or get important information about signals amplitude even though the layer thickness is decreased less than wavelet length ten times if we used Ricker signal or Vibration Sweeps.
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