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Register a new userAlienation in Ghassan Kanafani's Novels
الحس الاغترابي في أعمال روائية لغسان كنفاني
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Damascus University ورقة بحثية
Publication date
2007
fields
Arabic
and research's language is
العربية
Authors
مريم جبر فريحات( باحث )
Created by
Shamra Editor
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تحاول هذه الدراسة استبطان ظاهرة من الظواهر التي برزت في الأدب بوصفه نتاج نشاط إنساني تفاعلي، و تتمثل في "الحس الاغترابي" الذي يشي كثيراً من الأعمال الروائية العالمية و العربية، الشعرية منها و النثرية، و تظهر تجليات هذا الحس في صور و أشكال مختلفة، ارتأت هذه الدراسة أن تقف عليها من خلال النظر في نموذج من تلك الأعمال لرائد من رواد الأدب العربي الفلسطيني الحديث عانى الاغتراب و ويلاته، و ترجم تلك المعاناة عبر نتاجه الأدبي و لاسيما الروائي منه، و ذلك من خلال عرض مفهوم الاغتراب و وعي كنفاني بشكل خاص على هذا المفهوم، ثم تجليات الاغتراب في رواياته و ما يقف خلف ذلك من دوافع ترتد في مجملها إلى عوامل اقتصادية و سياسية تتمثل في الفقر و مصادرة الحريات و سيادة قوى متسلطة، يقابلها وعي فردي حاد يعيد صياغة الواقع بصور من المواجهة المؤثرة، تمثلت في صور مختلفة لدى شخصياته الروائية.
This study tries to reveal the deep secret of one of the phenomena which emerged in literature as a product of an effective human activity, represented in the "alienation feeling" which characterizes a lot of international and Arab novel works . The consequences of this feeling are demonstrated in different pictures and forms. This study investigated this phenomenon by examining a model of such works by a leading person of modern Arab Palestinian literature who suffered from alienation and its harmful effects and his suffering was demonstrated in his literary work, in his novels in particular, through his awareness of this concept and its demonstrations, indicating political and economic factors represented in poverty, freedom, restrictions and dominating powers. All this is confronted by a firm individual awareness which reshapes real occurrence in an effective confrontation, represented in the different pictures of the characters of novels.
References used
إبراهيم، عبد الله، البناء الفني لرواية الحرب في العراق، بغداد، دار الشؤون الثقافية العامة، 1988
إبراهيم، فتحي، معجم المصطلحات الأدبية، تونس، التعاضدية العمالية، 1986
حبيب، نجمة، النموذج الإنساني في أدب غسان كنفاني، بيروت، مؤسسة غسان كنفاني، 1999
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The setting in novels has captured the novelists' attention in the contemporary literary world. It was considered the link between elements of the novel. It is، after all، the setting of the events، the substantial scope in which characters move and
where all conflicts take place. Thus، the setting، with its different types، has preoccupied modern studies which examined the relation between the setting and the narrative elements، especially the character. Studies have preserved to reflect the relation between setting and character and the effect this relation has on forming the setting and giving it specific characteristics depending upon the case and the reality of the Palestinian movement. This relation between setting and character has acquired much importance due to the mutual relation between the two، to the extent that setting، in some novels، has become a basis for the events، a purpose for forming characters، and a conformation for their identity and existence. This research sheds light on setting in SaharKhalife's novels، its role in personifying the Palestinian reality، and studying its importance in the life of the Palestinian character، in addition to showing the role of description in projecting its indicative features and dimensions.
The prominence of the subjective aspect in Prince Manjak's poetry has
made him by far one of the most renowned poets of the Ottoman Period.
This aspect is well and fully exemplified by his poetry of alienation. His
alienation manifests itself in t
hree dimensions:
1. Conscious alienation that penetrates deep into the personal
obsessions vis-à-vis the suffering of staying and itinerancy,
the bitterness of deprivation and failure;
2. Temporal (Time) alienation, incorporated in the absence of
spiritual, social and moral communication with others,
following his consciousness of departure from his period
deepens; and
3. Spatial (Place) alienation, as a result of his life turning into a
muddle of anxiety, confusion and instability.
However, the poet then strives to overcome his alienation and
compensate for his estrangement and deprivation through recalling the
past, celebrating himself, evoking legacy, and sticking to faith. To
achieve that end, he uses, as a vehicle, his distinctive language that
speaks out his emotional experience and individual ability to pick up the
exact, most felicitous term. Therefore, his poetry is seen to be rich in
everlasting artistic portraits –portraits expressive of a conscious self that
transcends reality to embrace the contradictions of existence, and
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The contemporary interest has increased with the titles, so that some researchers
considered the titles as mini texts which contribute in forming a primary opinion that
motivate the reader and guide him to some meaning that the authors referring to
, and other
researchers considered the titles just a hypothesis for reading, not prejudice, because it
might lead the reader towards the meaning directly, and it might deceive and mislead him
as well, which make the creative texts poetically bigger and richer, and in both cases the
title remains the first textual episode that the reader’s awareness meet with the creative
text, regardless the type of the titles: realistic, equivocation, symbolism and others.
My choice has fallen into this research because of the variety that Ghassan Wannous
text stories’ have shown, which indicates the awareness of the writer about the importance
of the titles, and the role it might perform in serving the textual meaning, and this is what
this research aspires to approach and highlights.
This research attempts to show what has been said, through
discussing the principle of alienation as in language and in term, then as it
to Al-Ma'ri. It concentrates on the aspects of alienation in himself such as
blindness, travelling and the iso
lation of society, and clarify that in his
poetry, then it discusses the objective alienation in poetry as political,
intellectual, cultural, religious, national and social alienation joining it
with place and time.
The body is one of the basic themes that Feminist literature texts revolve around. And its interest degree varies from one text to another and from one novelist to another. Like Gadda AL Samman which clebrated the flesh in her novels, and was engage
d in drawing up the details, mystries and desires of body that contribute in the ambivalence. AL Samman was bold to highlight the surgeons.This research is considerd as aread of balanced body between desire and social mores imposed. The literature try to make akind of harmony between self and outside world through taking the social values and integrate them with the personal will.
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