تزايد الاهتمام المعاصر بالعناوين؛ فقد عدّها بعض الباحثين نصوصاً مصغّرة تسهم في تشكيل وجهة نظر ابتدائيّة، تحفّز القارئ، و توجّهه نحو معنى ما يريده المؤلّفون، و عدّها آخرون مجرّد فرضيّة للقراءة لا حكماً مسبقاً عليها؛ فقد توجّه القارئ باتجاه المعنى مباشرة، و قد تعمل على خداعه و تضليله أيضاً، ما يحقّق- بنظرهم- شعريّة أكبر و أغنى للنصوص الإبداعيّة. و في كلتا الحالتين يظلّ العنوان الحلقة النصيّة الأولى التي يلتقي بها وعي القارئ مع النصّ بغضّ النظر عن نوع العناوين: واقعيّة، مواربة، رمزيّة و سواها.
و قد وقع اختياري على هذا البحث نظراً لما أظهرته نصوص غسان ونوس القصصيّة من تنوّع ينمّ عن وعي الكاتب بأهميّة العناوين، و الدور الذي يمكن أن تؤدّيه في خدمة المعنى النصي، و هو ما يحاول هذا البحث مقاربته، و تسليط الضوء عليه.
The contemporary interest has increased with the titles, so that some researchers
considered the titles as mini texts which contribute in forming a primary opinion that
motivate the reader and guide him to some meaning that the authors referring to, and other
researchers considered the titles just a hypothesis for reading, not prejudice, because it
might lead the reader towards the meaning directly, and it might deceive and mislead him
as well, which make the creative texts poetically bigger and richer, and in both cases the
title remains the first textual episode that the reader’s awareness meet with the creative
text, regardless the type of the titles: realistic, equivocation, symbolism and others.
My choice has fallen into this research because of the variety that Ghassan Wannous
text stories’ have shown, which indicates the awareness of the writer about the importance
of the titles, and the role it might perform in serving the textual meaning, and this is what
this research aspires to approach and highlights.
References used
ونوس، غسان . في الزمن الراجع. ط 1، عروة للطباعة، طرطوس، 2007 م.
أشهبون، د. عبد الملك. عتبات الكتابة في الرواية العربيّة. ط 1، دار الحوار، اللاذقيّة، 2009 م.
نور الدين، صدوق. البداية في النص الأدبي. دط، دار الحوار،اللاذقية، 1994 م.
This research tackles the phenomenon of dialogue in Alhothaliyen
stories presenting reasons for studying it, then it defines a dialogue linguistically and idiomatically.It also highlights its purpose, its relationship to the pillars of the creative
The presence of place had a distinctive position in the stream of consciousness that
made it able to show and rise the humanbeing's problems precisely and frankly from many
different views. Probably. The most important problem is making the emotion
This study tries to show the importance of the story title and its
significance in children's stories. It displays the sense of the subject and
point to the resources of titles of the children's stories, through critical
studying of groups of children's stories in the Arab world.
The plurality of symbols forms in consciousness current
story and their repetition form the most important goals that the
research seek through to keep up with thoughts movement and
their pandemonium deep inside the human mind
This study tries to reveal the deep secret of one of the phenomena
which emerged in literature as a product of an effective human activity,
represented in the "alienation feeling" which characterizes a lot of
international and Arab novel works . T