The object of this research is taking about the art image in the
poetry of Abu Al-alaa Al-Ma'arry's through metaphor and
metonymy. Abu Al-alaa Al-Ma'arry used the metaphor because he
was able -by using it- to evade from taking directly about the
attribute or about what he describe. So that, his metonymies varies
between the obvious and the obscure which Demonstrate his ability
to use words and puzzles to express the various meaning by using
brief words.Metaphor also contributed to express his ideas and
meanings which he translated it as metaphoric images, and he
assorted his relations linking the two parties.
This research attempts to show what has been said, through
discussing the principle of alienation as in language and in term, then as it
to Al-Ma'ri. It concentrates on the aspects of alienation in himself such as
blindness, travelling and the iso
lation of society, and clarify that in his
poetry, then it discusses the objective alienation in poetry as political,
intellectual, cultural, religious, national and social alienation joining it
with place and time.
يطمح هذا البحث إلى تقديم قراءة جديدة لرسالة الغفران لأبي العلاء المعري, و يحاول من خلال هذه القراءة استثمار معطيات النقد الأدبي الحديث للكشف عن ذخائر النثر العربي القديم الذي لما تزل الدراسات النقدية تنظر إليه بوصفه محتوى لا بوصفه بناء مترفا بغير إشا
رة إلى أن ثمة وعيا مبكرا لدى الأدباء العرب الأقدمين بأهمية الشكل, و إلى أن هذا الأخير مكون من مكونات الدلالة في النص.
This paper seeks to study the shortcomings of son of Makl AL
Azeedi AL Muhalibi (644h) on
AL Marri’s explanation (440h) in AL Mutanabis volume tilled
with(AL Lami AL Azizi ) in his book (the shortcomings of
illustrators of AL Mutanabis volume ).
