This research entitled as {The Semiotics of Names in Abdul-Salam
AL-Ojayli's Novel Al-Maghmorun}, discusses the possibility of
applying semiotic methods in analyzing the names in novels, that is
through applying the methods of semiotics in analyzi
ng the novel
of Abdul-Salam AL-Ojayli Al-Maghmoroon. The research is started
with theoretical and rooting study of semiotics and its cognitive and
intellectual theories, however the study also comprises the vast
domains of semiotics and focuses on the literary domain. Semiotics
was applied in linguistic and literary studies of poetry and both
fictional and narrative prose.
Nawal ElSaadawi’s writings invariably question the
emergent, social aspects of her time such as the three universal
taboos–sex,religion and politics.Zeina tackles such issues,and this
is something which gives the novel a universal essence.
This research provides a presentation of the character concept as
a basic artistic element in the novel's structure, according to the
structural concept, then it provides the character analysis in A
bdoul Karim Nassif's "Al Makhtoofoon", presentin
g the adopted
methods by the writer to structure the characters, and their roles,
and the significance of their name.
Through analysis, we will figure out the artistic style adopted by
the writer to employ the character as an artistic component wich
has its prominent role in the novel's artistic structure.
This research provides a presentation of the intertextual concept
as a basic artistic element in the novel's structure, according to
the structural concepts, then it provides the intertextual analysis
in Hanna Meena's "Al Mostankaa", presenting the types of
intertextual, and the other texts that this novel was deeply
affected by.
Through analysis, we will figure out the cultural and the aesthetic
effects that the intertextual gave to this novel.
The most important thing in study thinking of narrator
corner in the novel (alablah)to dostoveskey it is three cases the
narrator is bigger than the oratorical character in the first case.(to
regared from back ).the narrator appeared dominating to
pical and bossed by sinkhole of events the narrator depends on structure in order to show conscience of absent the narrator can from flexibilities in display of there by distance comes down among him and between what discusses.the narrator was in the second case equivalent to oratorical character (thinking with characters).the narrator considers in this case the character there by the subjectivity sprouted in addition to the context of talking depeds on the conscience of speaker.the third case the narrator is smaller than (to regard from exterior here it emeged the exterior description (neuter)to movement of characters and their converses in addition to description of sensory sences.
The description of place in the novel, Beautiful Damascus, is
associated with its creator’s cultural dimension, so he impregnates it
with his thoughts and aspirations. Place description is one based
upon interpretation. He did not describe geograp
hical places in
particular, but he intended to form them in an artistic manner which
serves his ideas. He also described place both accurately and in
accordance with the novel’s characters’ activities within that place.
Place description is linked to colour so that it can reveal their
psychological situations. He also described non-visible place
because he felt that eyesight is not alone capable of description in a
perfect way.
تناول هذا البحث رواية ((أبعد من نهار- دفاتر الزفتية))، و هي رواية ذات
موضوع جولاني، و اقتصرت الدراسة على تقانتين اقتضتهما طبيعة المبنى الحكائي.
The novelist Ibrahim-Al-Kawni thinks that the surrendering novel
for an inescapable fate is embodied the perishing of the people of
Amazek, the death of their culture and the impossibility returning and
revivifying this culture.
The truculent fir
st threshold of the text ,calls the reader to read with
amazenent.
There is nothing that justifies the title "Who Are you Angel? because
the novelist looks for the rescuing angel, not his identity .
Therefore the best tittle is "Where Are you Angel? "so the Angel
will save this people from death .
The novelist Presents an outcry a hopeless outcry through this artistic
novel.
This paper aims to examine William Beckford's Vathek (1786) in
terms of the major impacts that have helped him to compose such a
novel. The three main factors that influenced Beckford are: his
experience during his residence at Fonthill Abbey; his
interest and
readings in translations of the Arabian tales, The Arabian Nights; and his
combination of fantasy with the soberly sensual grace of Eastern imagery.
Despite the fact that Vathek is an eccentric short novel, it is based on a
realistic protagonist, Al-Wathek (A.D.815-846), the 9th Caliph of Abassid
dynasty, known for his love of food, and his knowledge in music, poetry,
astronomy and logic.
This paper proposes to examine the role of the English aristocracy in
the colonial process and in empire building as shown in The Caxtons, a
novel written by the nineteenth-century novelist Edward Bulwer-Lytton
and published in 1849. The novel wil
l be contextualized within a larger
framework of other literary and non-literary texts.
