Arab criticism has accessed a phase in which the tendency to changing the diction
of dealing with the text whether it was narrative or verse was an urgent necessity.
The most important aspects of this change are shown in the interest in what is
ca
lled (Form), the non-separation between the content and the context, revealing the
internal secrets of texts in an attempt to refreshing the point of view to the narrative text
and dealing in a different way with its structure throughout making a reading variety
derived from the common and the uncommon modern critical theories.
The interest in studying narrative structure on top of the critical researches
involved in novel which take part in introducing critical processing that analyses texts and
aims to uncover them away from mental – social and historical references that go-round
them.
The most important thing in study thinking of narrator
corner in the novel (alablah)to dostoveskey it is three cases the
narrator is bigger than the oratorical character in the first case.(to
regared from back ).the narrator appeared dominating to
pical and bossed by sinkhole of events the narrator depends on structure in order to show conscience of absent the narrator can from flexibilities in display of there by distance comes down among him and between what discusses.the narrator was in the second case equivalent to oratorical character (thinking with characters).the narrator considers in this case the character there by the subjectivity sprouted in addition to the context of talking depeds on the conscience of speaker.the third case the narrator is smaller than (to regard from exterior here it emeged the exterior description (neuter)to movement of characters and their converses in addition to description of sensory sences.
The description of place in the novel, Beautiful Damascus, is
associated with its creator’s cultural dimension, so he impregnates it
with his thoughts and aspirations. Place description is one based
upon interpretation. He did not describe geograp
hical places in
particular, but he intended to form them in an artistic manner which
serves his ideas. He also described place both accurately and in
accordance with the novel’s characters’ activities within that place.
Place description is linked to colour so that it can reveal their
psychological situations. He also described non-visible place
because he felt that eyesight is not alone capable of description in a
perfect way.
The novelist Ibrahim-Al-Kawni thinks that the surrendering novel
for an inescapable fate is embodied the perishing of the people of
Amazek, the death of their culture and the impossibility returning and
revivifying this culture.
The truculent fir
st threshold of the text ,calls the reader to read with
amazenent.
There is nothing that justifies the title "Who Are you Angel? because
the novelist looks for the rescuing angel, not his identity .
Therefore the best tittle is "Where Are you Angel? "so the Angel
will save this people from death .
The novelist Presents an outcry a hopeless outcry through this artistic
novel.
This paper aims at studying realism in the feminist novel in both
Jordan and Palestine. It starts by giving a thorough definition of realism
and what it means, within exactly the domain of literary criticism. As in
other literary trends and approa
ches, there seems to exist an evident
discrepancy among these viewpoints, that is to say in how these schools
view realism. Realism appears to be prevalent in the Jordanian and
Palestinian novel, as a result of various factors. Furthermore, a number of
effects from within the literary movement itself participated in the
dominance and the materialization of this trend.
This paper proposes to examine the role of the English aristocracy in
the colonial process and in empire building as shown in The Caxtons, a
novel written by the nineteenth-century novelist Edward Bulwer-Lytton
and published in 1849. The novel wil
l be contextualized within a larger
framework of other literary and non-literary texts.
