This research deals with technique of addressing an imaginary companion, being
astylisttic phenomenan aiming at coloring Ibn Muqbel,s poetic discours, it is asudden shift
frome one style to anther, serving muti- rhetorical purposes, and embodying t
he speaker,s
sensation. Being a form of structur deviation whose specific funchion is detected in context
its artistic feature, alse reflect on a recipient,s thoug contemplating this highlg aesthetic
style.
Addressing an imaginary conpanio can be Syntactic, Semantic and Syntactic-
Semantic. This study looks into the syntactic forms of addressing an imaginary companion
inrolved in changing the use of pronouns that preclude repeating antecedents, retrieving the
meanings intended from poetic contexts.
The displacement method of the important methods in stylistic studies and modern
linguistics; it is based onDepart from the familiar and ordinary language to create beauty
creative outlines a literary text by the poet and increase its luster, and i
ts showText
aesthetic statement and the possibility of the poet and his abilities shift in his words, which
the recipient is a matter of contemplation and interpretation Revealed in a metaphorical
sense, it stands on aesthetic and poetic language.
And here it highlights the role of the imagination in the production of diverse literary
images, since the poet called free rein to his imagination in the generation of meanings
andInnovation, and this is done in the familiar skip weave method, and breach of the
modest traditions between language users,
If the purpose of the distortion of the text is to create beauty and stylistic innovation
that leaves an impact on its recipients, which confirms Position
Poetic language; Art is not art until breathing shed from the standard, and even filled
his intention of violating the order and violation of norms,
That's what the beauty of D poets, literary texts semantic my style.
The displacement method of the important methods in stylistic
studies and modern linguistics; it is based onDepart from the
familiar and ordinary language to create beauty creative outlines a
literary text by the poet and increase its luster, and
its showText
aesthetic statement and the possibility of the poet and his abilities
shift in his words, which the recipient is a matter of contemplation
and interpretation
Revealed in a metaphorical sense, it stands on aesthetic and poetic
.language
And here it highlights the role of the imagination in the production
of diverse literary images, since the poet called free rein to his
imagination in the generation of meanings andInnovation, and this
is done in the familiar skip weave method, and breach of the
,modest traditions between language users
If the purpose of the distortion of the text is to create beauty and
stylistic innovation that leaves an impact on its recipients, which
confirms Position
Poetic language; Art is not art until breathing shed from the
standard, and even filled his intention of violating the order and
,violation of norms
.That's what the beauty of D poets, literary texts semantic my style.
This research paper deals with some of the aspects of creativity and
innovation in this poet "AL-Buhturi", and their impact on deviation
in the text. The deviation considered here is on that has to do with
themes rather than language or rhetoric.
We have depended on the main feature of deviation; that was
attributed to him regarding all studies that tackled it, namely,
surprise and violation of what is common. Therefore, we have
concluded that surprise has mad the themes an important field of
deviation.
This research seeks to explore the role of deviation in the poetics
of operative language on the one hand, its revelation of the artistry
of thrill and surprise in terms of rhetorical images on the other hand,
through analysing the poetic text which starts from actual language
towards the spaces of rhetorical images, and combines the internal
and the external as the text suggests.
This poem, which is the focus of the present study, has been the focus of
the attention of many critics and researchers, old and modern. This is
mainly because of the richness of this poem in terms of style, the
skillfulness in its construction, a
nd the depth of its meanings. This is why
this same poem is the focus of the present study which will be an
investigation into the salient aspects of deviation in this poem at the
semantic and structural levels.
This research studies the process of symbol transition from psychoanalysis to other
scientific and philosophical fields, especially hermeneutics and Paul Ricoeur's
interpretation theory. In fact, this research studies what the interpretation theory
has done
to the concept of symbolism. The latter migrates to it from psychoanalysis which forms for
Freud an essential basis in his study of the kinds of neurosis and psychopathy. Actually, his
goal is to make symbolism contributes to get scientific results. Thus, this symbolism
should be put in an attire of what the interpretive has called the concept of mythologization
to reach the work which the interpretation will do and consider too as an essential activity
to eliminate mythologization from the domain of the symbol.
Paul Ricoeur, based on the interpretive, has taken upon himself to discuss directly Freud's
works. He tries in these discussions to understand the techniques of psychoanalysis to
handle the basic Freudian conceptions to enable the interpretive to reread Freud through
symbolism and mythology. Thus, this research illustrates how Ricoeur depends on the
inquisitive thought, i.e. through questioning deeds and words. The research clarifies this
point through discussions we try to make as critical as possible in order to understand the
results of the interpretation theory that brings out the symbol and myth, in terms of the
psychoanalytic experimental exercise, in order to create the interpretive theory itself. This
takes place after the symbol becomes an important part of the displacement-andcompensation
processes within the texts which are subjected to interpretation after the
interpretive has managed demythologization.
