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Register a new userAddressing an Imaginaray Companion in Ibn Muqbel,s poetry
الالتفات في ديوان "ابن مقبل"
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يشتغل البحث على أسلوب الالتفات، بوصفه ظاهرةً أسلوبيّةً، عملت على تلوين الخطاب الشعريّ في ديوان "ابن مُقبل"؛ بما هو انتقال من أسلوبٍ إلى آخر انتقالاً مفاجئاً، لأداء أغراضٍ بلاغيّةٍ تتعدّد بتعدّد أضربه و سياقاته، تجسّد إحساس مبدع الكلام، و تُلقي بظلالها الفنيّة على فكر متلقٍ يتأمّل هذا الأسلوب الفنيّ ذا القيمة الجماليّة، لأنّه شكلٌ من أشكال الانزياحات التركيبيّة، و يستجلي وظيفته الخّاصّة في سياقه الخاصّ. على أنّ للالتفات صوراً ثلاث، هي: الالتفات النحويّ، و الالتفات الدّلاليّ، و الالتفات النحويّ الدلاليّ، لكلٍّ منها أضربه في السياق؛ إذ ينظر البحث في أضرب الالتفات النحويّ المرتبط بالتحوّل في استعمال الضمائر التي تغني عن تكرار ذكر المرجع العائدة عليه، و يستشف المعاني التي أدّتها تلك الأضرب في سياقاتها الشعريّة التي جاد بها الدّيوان.
This research deals with technique of addressing an imaginary companion, being astylisttic phenomenan aiming at coloring Ibn Muqbel,s poetic discours, it is asudden shift frome one style to anther, serving muti- rhetorical purposes, and embodying the speaker,s sensation. Being a form of structur deviation whose specific funchion is detected in context its artistic feature, alse reflect on a recipient,s thoug contemplating this highlg aesthetic style. Addressing an imaginary conpanio can be Syntactic, Semantic and Syntactic- Semantic. This study looks into the syntactic forms of addressing an imaginary companion inrolved in changing the use of pronouns that preclude repeating antecedents, retrieving the meanings intended from poetic contexts.
References used
ابن جعفر، قدامة، نقد الشعر، تح: كمال مصطفى، القاهرة, ط3, 1963م. ص 264.
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