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Register a new userDeviation and the Spaces of Rhetorical Imagery in Badawi al-Jabal's Poetry
الانزياح و فضاءات الصورة البلاغية في شعر بدوي الجبل
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نزار عبشي( باحث )
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يسعى هذا البحث إلى الكشف عن دور الانزياح في شعرية اللغة المتحققة من ناحيّة، و في إظهار فنيّة الإثارة و الدّهشة على مستوى الصور البلاغية من ناحية ثانية، و ذلك من خلال التحليل النصّي (الشّعري) الذي ينطلق من اللغة المنتجة نحو فضاءات الصور البلاغية، و يزاوج بين الدّاخل و الخارج بما يوحي النصّ.
This research seeks to explore the role of deviation in the poetics of operative language on the one hand, its revelation of the artistry of thrill and surprise in terms of rhetorical images on the other hand, through analysing the poetic text which starts from actual language towards the spaces of rhetorical images, and combines the internal and the external as the text suggests.
References used
الأسلوبية، بيير جيرو، ترجمة: منذر عياشي، دار الإنماء الحضاري، حلب، ط1994،2 .
الأسلوبّية و تحليل الخطاب الشعري، منذر عياشي، مركز الإنماء الحضاري، حلب، سوريّة، ط1, 2002م.
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innovation in this poet "AL-Buhturi", and their impact on deviation
in the text. The deviation considered here is on that has to do with
themes rather than language or rhetoric.
We have depended on the main feature of deviation; that was
attributed to him regarding all studies that tackled it, namely,
surprise and violation of what is common. Therefore, we have
concluded that surprise has mad the themes an important field of
deviation.
يحاول هذا البحث الكشف عن جماليات الشام في شعر بدوي الجبل. فلم تكن الشام في نفسه مكاناً جغرافياً فحسب، بل كانت عاصمة للمجد العربي في الماضي و هي كذلك في الحاضر.
لقد ولجت مجالات وظيفية جديدة، فهو يتحدث عنها "الشام الأموية" بصورة "ملحمية" و يقدمها نموذ
جاً إيجابياً يرقى للمثال الذي يحّفز و يلهم و يقود، و كانت ضرباً من الرؤية الفنية التي لم تفقد طاقتها التأثيرية – على كثرة تكرار الحديث عنها - فظل إشعاعها متقداً يفتح أمام روحه منافذ البوح.
و ذلك بسبب دقة إحساس الشاعر برؤيته الإبداعية "للشام" و صدقه في التماس ماتوحي به. فاستهلك في عشقها قاموس الحب و الحنين، و كثف في وصفها شذى ياسمينها الفواح، فسجدت قوافيه أمام جلالها، و حنى هامة الشعر تبجيلاً لتاريخها الذي يحمل خصوصية قومية ماتزال جذوتها متقدة على مر الزمان.
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