Do you want to publish a course? Click here

The concept of displacement (Reading in the positions of the most important Western and Arab pioneers)

مفهوم الانزياح (قراءة في مواقف أهمّ الرّواد الغربيّين و العرب)

676   1   7   0.0 ( 0 )
 Publication date 2018
  fields Arabic
and research's language is العربية
 Created by Shamra Editor




Ask ChatGPT about the research

Based on the above research, we see that displacement is a distinctive aesthetic feature in the art of the text, and it is of interest to it, and its proper presence in the studies of criticism and stylistic, so this research sought to explore its uses in Western and Arab thought. It should be noted that the affective charge of displacement reveals the emotional (moral) dimension of displacement in its rhythmic, syntactic and semantic contexts.

References used
الأسلوب و الأسلوبية – بيرغيرو : تر : منذر عياش مركز الإهداء القومي ، د. ت.
البحث الدلالي في كتاب سيبويه، خوش جار الله حسين دزة بي، دار المعتز، 2007 م.
فن الشعر، لأرسطو تر : ابن سينا ، تح : عبد الرحمن بدوي دار الثقافة بيروت د . ت.
rate research

Read More

Arab system isgoing through today stage chaotic frightening, though and division in which the arab exceed Arabism and humanity and stand at the borders of control and dominance to satisfy it self in light the many challenges faced him, and assigned sometimes to the same arab system and at other times to the international syatem . the arab system is part of the global system and in the case of both affected and mutual effect . so it was necessary to stand at the most prominent of these challenges of conflicts and wars in the arab regiane and terroeism and the challenges wich follow on international chaos and the new middle east , the economic challenges as well as sectarian and the challenge of imported arab democracies as well as the most dangerous challenge on globalization .
This research investigates the actual beginning of experimental animation films and their main directions. The research also reviews the most important pioneers of abstract experimental animation in both Europe and the U. S. A. such as Leopold Surv age, Viking Eggeling and Hans Richter, on the one hand, and the most important film productions and the techniques used, on the other. We move on after that to the most wellknown figures of the pictorial school in Europe as Lotte Reinger, Berthold Bartosch and Alexander Alexeieff. The research moves on to take up the review of the contemporary experimental directions which began in the early 1950's and continued up to the present time, the directions which produced significant figures and experiments of paramount importance in the history of animation , such as Walter Disney, Ivan Vano, Osamo Tezuka, Norma Mclaren in addition to John Halas. These approaches shape the future of animation. The present research sheds light on the significance of both previous (earlier) experiments and the prospect of animation films.
The importance of this research is the nature of the problem it handles , which is the phenomenon of Westernization (away from homeland) and its long term that accompanied the man since ancient times. It is not the product of a particular individua l, and not the result of this day and age in particular, but rooted deep in history. The concept of Westernization is one of the most difficult concepts of what is shrouded in a lot of confusion and ambiguity due to the multiplicity of areas of use. From here this research seeks to shed light on the concept of Westernization and observes subsequent transformations and their implications. It is proven that the phenomenon of Westernization, as a comprehensive human phenomenon, is more severe in capitalist societies, a result of what it results of the tremendous economic development and social change which has led to a stark machine control and material aspect in humans. Thus the capitalist system directly contributed to strengthening the feeling of alienation and Westernization, making it a consumer society that uproots man from his origin and carries a system that he has nothing to do with it. Individuals, shall be transferred to the non-conscious group, and the Westernization of the individual case turns into a general social phenomenon.
This research tries to examine the concept of self within the framework of modern philosophy and contemporary philosophy, in an attempt to highlight the role of this concept in the formation of most of the philosophical doctrines from the Greek era to the contemporary philosophy, through modern philosophy. In this research, we will attempt to study the formation of this concept in the framework of modern and contemporary philosophy, to show the philosophers' interest in this concept and the extent to which the concept is linked to the clarify their own philosophy. Therefore, the research attempts to provide a follow-up reading of the concept of self in a comparative historical context, in which we demonstrate that this concept is still alive in contemporary philosophy, albeit with different names, such as reason, mind or feeling. We will conclude from this the importance of the concept of self in the philosophical context, which still occupies an important space in the thinking of modern and contemporary philosophers. Here we will try to ask several questions, including what is the dualism of the soul and body. How can the soul be a logical synthesis, an emanated mind, or a subjective feeling? In this research, we will try to answer these questions and other questions that will appear in the context of the research.
This research gives special attention to the term critical and is considered as a relationship of interaction. Change and creation. It is an intellectual. Cultural. Social and concept that has a close relationship with Arab culture as its original inspiration. The research will select a specific term which is creative. It will examine the linguistic forms that crystallize the creative term. The inventor. The generator and the creative. These concepts are revolving in its orbit. forming differentiated. Interdependent and compatible contexts without any controversy. The light of its narrow framework. Ie. Its lexical significance to be studied considering the relationship between diverse knowledge in its formation. The research will monitor the concept in the context of the most important monetary issues that intersected with it. Creativity is a phase of transition between two technical doctrines in Arabic literature .Vkrien are the say old and the updated mind finite to determine the cultural value of the term between being too and a way that is both together.
comments
Fetching comments Fetching comments
Sign in to be able to follow your search criteria
mircosoft-partner

هل ترغب بارسال اشعارات عن اخر التحديثات في شمرا-اكاديميا