Subscribe to the gold package and get unlimited access to Shamra Academy
Register a new userParadox in the Conquest Poetry in Early Islam
المفارقة في شعر الفتوحات في صدر الإسلام
1256
1 111
0
(
0
)
Added by
Aِl-Baath University ورقة بحثية
Publication date
2016
fields
Arabic
and research's language is
العربية
Created by
Shamra Editor
Ask ChatGPT about the research
يستجلي هذا البحث أحد الأساليب البلاغية و الفكرية, قديم العهد, حديث المصطلح, الموسوم بالمفارقة, و ذلك بالوقوف على ماهية هذا الأسلوب, و أبعاده و آلياته, و أنواعه, لما له من ارتباط وثيق بالتجربة الشعرية, و الخبرة الفنية, و الإدراك الوجودي المتصل بقضايا الكون القائمة على مبدأ الثنائيات و علاقات التضاد فيما بينها, ثم تجلي هذا الأسلوب في شعر الفتوحات الإسلامية في صدر الإسلام.
This study considers the meaning of this term from all perspectives: It is mature, dimensions, mechanisms and types because it is closely associated with poetry, and artistic experience, and with the existential comprehension related to the world matters as a whole, which depends on the principle of twin elements and their antagonistic relations. This style has appeared in the poetry of the Islamic conquests in early Islam.
References used
القالي, أبو علي اسماعيل بن القاسم البغدادي, الأمالي. دار الكتب العلمية, بيروت, لبنان.
ضيف, شوقي, 2002, العصر الإسلامي. ط20, دار المعارف, القاهرة, مصر.
rate research
Read More
This research fox on the mechanisms of argumentative inference
to the poetry of Early Islamic era , and we don't mean of inference
the strict logical one , but the pragmatic inference which
fucuses on language in the context of use and in the soci
al and
cultural context . And this study isn't restricted on political dialectic
poetries , so that how many poetries exudes self disappear behind it
deep argumentative dimension .
This research studies colures and effects on the poetic rhythm
the poem depends on many kinds of feelings . the poet tried to
discuss many issues and ideas through which he mentioned the
colures which has a great role in the revelation of the hidden
meaning the poet wanted .
يحدد هذا البحث فرضه العلمي، و رؤيته النقدية، فيرى أن الشعراء لا يصورون العالم الخارجي كما هو، بل يصورون علاقتهم به، و موقفهم منه، و لذلك يضيفون إلى هذا العالم عناصر عاطفية و عقلية و خيالية و فنية. و يطبق هذه الرؤية لاختبار فرضه العلمي (عدم تصوير العا
لم الخارجي كما هو...) على موضوع "القطا" في نماذج من شعر صدر الإسلام و العصر الأموي، فيعرض هذه النماذج و يحللها في ثلاثة سياقات:
1- سياق الحب و الغزل. 2- سياق الرحلة. 3- سياق الصيد.
و قد أظهر البحث صحة فرضه العلمي المذكور، و تبين من تحليل النصوص
الشعرية أن الشعراء وظفوا "القطا" فنيًا للتعبير عن أحاسيسهم و مشاعرهم، و تصورهم للكون و نواميسه. و بذلك كانت طيور "القطا" التي أحسنوا تصوير أطراف واسعة من حياتها وسيلة فنية للتعبير عن ذواتهم و رؤاهم و تصوراتهم.
The prominence of the subjective aspect in Prince Manjak's poetry has
made him by far one of the most renowned poets of the Ottoman Period.
This aspect is well and fully exemplified by his poetry of alienation. His
alienation manifests itself in t
hree dimensions:
1. Conscious alienation that penetrates deep into the personal
obsessions vis-à-vis the suffering of staying and itinerancy,
the bitterness of deprivation and failure;
2. Temporal (Time) alienation, incorporated in the absence of
spiritual, social and moral communication with others,
following his consciousness of departure from his period
deepens; and
3. Spatial (Place) alienation, as a result of his life turning into a
muddle of anxiety, confusion and instability.
However, the poet then strives to overcome his alienation and
compensate for his estrangement and deprivation through recalling the
past, celebrating himself, evoking legacy, and sticking to faith. To
achieve that end, he uses, as a vehicle, his distinctive language that
speaks out his emotional experience and individual ability to pick up the
exact, most felicitous term. Therefore, his poetry is seen to be rich in
everlasting artistic portraits –portraits expressive of a conscious self that
transcends reality to embrace the contradictions of existence, and
subsequently looks forward to a new world, alive with all that is pleasant,
fair and noble.
This paper, which is entitled "The Inheritance in Fayez Khadour's Poetry" aims at
studying and analyzing the methods of inspiring the different types of inherited elements in
the poetic text, with the purpose of uncovering two things: first, the vi
sions they contain,
which entails laying the importance on the (text language), meaning the style used in
forming the text language, based on the fact that poetry is an aesthetic, cognitive and
linguistic structure and any deviation in any of these characteristics results in a deviation in
poetry from its true concept; second: the new space that the poet presented in this aspect of
his poetic experience and the amount of distinction and difference which he achieved from
his fellow poets of poetry of modernity. I have discussed the methods of using the
inheritance in Khadour's poetry in two fields: the folkloric and literary inheritance, and the
religious and mythic inheritance. I purposely joined together one aspect of these fields in
one context because of the proximity of their references on the one hand, and in orderto
avoid the wordiness which is not applicable within the limits of this paper on the other
hand.
Log in to be able to interact and post comments
comments
Fetching comments
Sign in to be able to follow your search criteria
