Subscribe to the gold package and get unlimited access to Shamra Academy
Register a new userThe Manifestation of the Ego-Image in Al-Farazdaq's Poetry
تجليات صورة الذات في شعر الفرزدق
2160
4 87
0
(
0
)
Authors
أحمد ياسمين( باحث )
Created by
Shamra Editor
Ask ChatGPT about the research
يحاولُ هذا البحثُ الوقوفَ عندَ تحليلِ المتنِ الشِّعريِّ، لشاعرٍ مخضرمٍ شهدَ فترةَ صدرِ الإسلامِ، و عاشَ العصرَ الأمويَّ، و في تحديدِ الهدفِ؛ يحاولُ البحثُ تسليطَ الضّوءِ على أبرزِ ملامحِ الإبداعِ الأدبيِّ، و روائعه شعراً كان أو نثرا ً، و هو الذّاتُ الإنسانيّةُ المحرِّكُ و الدَّافعُ لأيِّ إبداعٍ إنسانيٍّ . و هنا يعمدُ البحثُ، إلى فصلِ أبرزِ الملامحِ الذّاتيّةِ عندَ شاعرٍ مشهورٍ كالفرزدقِ، الّذي شكّلَ حالةً فريدةً في ساحةِ الإبداعِ الأدبيِّ الشّعريِّ، من خلالِ النّقائضِ التي دارت بينَه و بين شاعرِ البلاطِ الأمويِّ جرير . كلُّ ذلكَ يجري من خلالِ محاولةِ تلمّسِ أبرزِ جوانبِ هذه الذّاتِ و الأثرِ الّذي تركتهُ في النّتاجِ الأدبيِّ العربيِّ .
This paper attempts at focusing on analyzing the poetic structure of a pre-and-post- Islamic poet who witnessed and lived in the early Islamic and Umayyad Eras. With regard to the objective, the paper is intended to shed light on the major features and master pieces of literary output, be its prose or verse, which is the human ego, the driving force and dynamo behind any human creativity. In this regard, the paper attempts at categorizing the major subjective characteristics of a famous poet, such as Al-Farazdaq, who represented a unique phenomenon on the creative, literary, and poetic scene, through the poetic satirical exchanges with Jareer, the Umayyad poet laureate. All this is being dealt with through trying to trace the major characteristics of this ego and the impact it had left on the Arab poetic output.
Artificial intelligence review:
Research summary
يحاول هذا البحث تحليل المتن الشعري لشاعر مخضرم عاش في فترة صدر الإسلام والعصر الأموي، وهو الفرزدق. يركز البحث على تجليات صورة الذات في شعر الفرزدق، وكيفية تأثير الذات الإنسانية على الإبداع الأدبي. يتم تسليط الضوء على أبرز الملامح الذاتية للفرزدق من خلال اللقائض التي دارت بينه وبين جرير، شاعر البلاط الأموي. يتم تتبع جوانب الذات وتأثيرها على النتاج الشعري العربي، مع التركيز على الفروسية، القبيلة، والانتماء. يعتمد البحث على منهج التحليل النفسي لاستنباط الملامح النفسية والشخصية من خلال مقطوعات شعرية مختارة.
Critical review
دراسة نقدية: يعتبر هذا البحث إضافة قيمة إلى الدراسات الأدبية والنقدية، حيث يسلط الضوء على جوانب مهمة من شخصية الفرزدق وتأثيرها على شعره. ومع ذلك، يمكن القول أن البحث قد أغفل بعض الجوانب الاجتماعية والسياسية التي أثرت على الفرزدق وشعره. كما أن التركيز الكبير على الجوانب النفسية قد يكون على حساب جوانب أخرى مثل البيئة الثقافية والسياسية التي عاش فيها الشاعر. ينصح بإجراء دراسات مكملة تركز على هذه الجوانب لتقديم صورة أكثر شمولية عن الفرزدق وشعره.
Questions related to the research
-
ما هو الهدف الرئيسي من البحث؟
الهدف الرئيسي هو تسليط الضوء على تجليات صورة الذات في شعر الفرزدق وكيفية تأثير الذات الإنسانية على الإبداع الأدبي.
-
ما هي المنهجية التي اعتمدها البحث؟
اعتمد البحث على منهج التحليل النفسي لاستنباط الملامح النفسية والشخصية من خلال مقطوعات شعرية مختارة.
-
ما هي أبرز الملامح الذاتية التي تناولها البحث في شعر الفرزدق؟
أبرز الملامح الذاتية تشمل الفروسية، القبيلة، والانتماء، وكيفية تأثير هذه الجوانب على شخصية الفرزدق وشعره.
-
ما هي النقاط النقدية التي يمكن توجيهها للبحث؟
يمكن توجيه النقد للبحث بسبب تركيزه الكبير على الجوانب النفسية على حساب الجوانب الاجتماعية والسياسية، مما قد يؤدي إلى صورة غير شاملة عن الفرزدق وشعره.
References used
ابراهيم, د. ريكان, نقد الشعر في المنظور النفسي, دار الشؤون الثقافية العامة, بغداد , 1979م.
اسماعيل , عز الدين , الأدب و فنونه , دار الفكر العربي , ط2 , 1976.
rate research
Read More
This piece of research endeavour to analyse the poetical structure of one of the most
recognizable Umayyad poets. He was the poet of the sensitive imagination that is
dominated by mind. He used to handle, and as well critically probe, each of his p
oems
singly. This had manifested his poetry as well-structured, fully-fledged talendedness,
accurate expressions and fluent pouring of thoughts. He stood as one of the most apparent
three poets of their period: Jareer and al-Farazdaq. He had highlighted the literary heritage
and superby handled it.
This piece of research attempts to concentrate on the most obvious characteristics of
the human self as observed by al-Akhtal al-Kabeer through penetrating his literary style,
the most distinguishable psychological features, and studying these features quite
considerably. Toward this temptation, the research tends to examine these most
recognizable features in the anthology of the great poet al-Akhtal al-Kabeer where he
constitutes a unique experience in the field of the literary and poetical creativity: he
surpasses his peers and contemporary poets, and gains the admiration of the authoritative
circles. All this continues in an attempt to recognize the the most promoted features of this
self, and the deep influence that the Arabic literary production witnesses.
Woman has received a great importance since the dawn of
history; therefore, she reached in ancient civilizations the status of
sanctity and divinity, she moved from a specific denotation to
another throughout the march of Arabic poetry until she r
eached
the image of the independent woman in the Arabic Renaissance,
and afterwards she turned into a symbol, a dream in contemporary
Arabic poetry.
Various are the images of women in Muhammad Al-Maghout's
poetry, prominent of which are perhaps: woman as a beloved, as
a harlot, a mother, a wife, a daughter and a symbol-dream, thus
proceeding from describing woman sensually to metaphorically,
depending upon several techniques such as the paradox, surprise
and flashback and others.
Behind these there is a personality characterized by suffering
alienation and lack of emotional self-fulfillment, and we find that
woman in his eyes is not a mere beauty, but someone who makes
the four directions one, namely, woman is love, leniency, a warm
haven and liberty.
This study aims at analyzing the poetic content of the poetry of an Omayyad poet who was born to a wealthy family which was so close to the Court. The objective of the study is to shed light on one of the most salient features of literary creativity
and literary masterpieces-whether poetic or prose- which is the human essence that stimulates human creativity and the doublet of this essence, that is the Other.
This study attempts to identify the most prominent subjective features in the poetry of Omar as a famous poet who became a phenomenon in the field of poetic and literary creativity through mastering flirtation poets and poetry in his era. It should be mentioned that the image of the Other in Omar’s poetry examined in this study is the image of woman which considerably resembles that image presented in the work of the majority of other poets. However, this same image varies in Omar’s poetry. Woman is represented as the chaste, beloved, and the rebellious.
Not only poetry has been restricted to men, but also Arab
woman used to taste and write poetry since time immemorial, next
to her interest in prose and narratology comparable to all Arabs at
that Bedouin time—when they were still leading a simple life.
However, names of women have been revealed and broadly
circulated concering handling and criticizing poetry since antiquity.
The object of this research is taking about the art image in the
poetry of Abu Al-alaa Al-Ma'arry's through metaphor and
metonymy. Abu Al-alaa Al-Ma'arry used the metaphor because he
was able -by using it- to evade from taking directly about the
attribute or about what he describe. So that, his metonymies varies
between the obvious and the obscure which Demonstrate his ability
to use words and puzzles to express the various meaning by using
brief words.Metaphor also contributed to express his ideas and
meanings which he translated it as metaphoric images, and he
assorted his relations linking the two parties.
Log in to be able to interact and post comments
comments
Fetching comments
Sign in to be able to follow your search criteria
