لم يكن الشّعرُ في متناولِ الرجال فحسب، بل كانت المرأةُ العربيّةُ منذُ القديمِ
تستسيغُ الشّعرَ و تقرضه، و تلتذّ النّثرَ و تنسجه شأنُ العربِ في ذلكَ الزّمانِ، و قد برزت
أسماءُ السّيداتِ و ذاع صيتهنّ منذ القديمِ في تذوّق الشّعر و نقدهِ.
Not only poetry has been restricted to men, but also Arab
woman used to taste and write poetry since time immemorial, next
to her interest in prose and narratology comparable to all Arabs at
that Bedouin time—when they were still leading a simple life.
However, names of women have been revealed and broadly
circulated concering handling and criticizing poetry since antiquity.
References used
Ibrahim, D. Rikan, Criticism of Poetry from the Psychological Perspective, House of Public Cultural Affairs, Baghdad, 1979
Asaad, Youssef Michael, Psychology of Creativity in Art and Literature, Public Affairs House, Baghdad, Egyptian General Book Authority, Cairo, d
Ismail, Izz al-Din, literature and arts, study and criticism, Arab Thought House, I 6, 1976
This paper attempts at focusing on analyzing the poetic structure of a pre-and-post-
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