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Reading into the Image of Laila al-Akhielieyyeh's Poetic Self

قراءة في صورة الذات الشاعرة عند: ليلى الأخيلية

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 Publication date 2018
  fields Arabic
and research's language is العربية
 Created by Shamra Editor




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Not only poetry has been restricted to men, but also Arab woman used to taste and write poetry since time immemorial, next to her interest in prose and narratology comparable to all Arabs at that Bedouin time—when they were still leading a simple life. However, names of women have been revealed and broadly circulated concering handling and criticizing poetry since antiquity.



References used
Ibrahim, D. Rikan, Criticism of Poetry from the Psychological Perspective, House of Public Cultural Affairs, Baghdad, 1979
Asaad, Youssef Michael, Psychology of Creativity in Art and Literature, Public Affairs House, Baghdad, Egyptian General Book Authority, Cairo, d
Ismail, Izz al-Din, literature and arts, study and criticism, Arab Thought House, I 6, 1976
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This paper attempts at focusing on analyzing the poetic structure of a pre-and-post- Islamic poet who witnessed and lived in the early Islamic and Umayyad Eras. With regard to the objective, the paper is intended to shed light on the major features and master pieces of literary output, be its prose or verse, which is the human ego, the driving force and dynamo behind any human creativity. In this regard, the paper attempts at categorizing the major subjective characteristics of a famous poet, such as Al-Farazdaq, who represented a unique phenomenon on the creative, literary, and poetic scene, through the poetic satirical exchanges with Jareer, the Umayyad poet laureate. All this is being dealt with through trying to trace the major characteristics of this ego and the impact it had left on the Arab poetic output.
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