Subscribe to the gold package and get unlimited access to Shamra Academy
Register a new userThe Image of Al-Karak in the Artistic Letter in the Mamluki Era
صورة الكرك في الرسالة الفنية في العصر المملوكي
796
1 54
0
(
0
)
Added by
Damascus University ورقة بحثية
Publication date
2011
fields
Arabic
and research's language is
العربية
Authors
سلامة هليل الغريب( باحث )
Created by
Shamra Editor
Ask ChatGPT about the research
هدف هذا البحث إلى بيان أهمية مملكة الكرك في العهد المملوكي، من خلال الرسالة الفنية التي تصدر عن ديوان الإنشاء، مستعيناً بما كتبه المؤرخون و الجغرافيون و الرحالة المعاصرون لتلك الأحداث، و لذا جاءت مصادر الدراسة ممن عاصروا الأحداث و عاينوها، و سيظهر البحث الاهتمام و العناية بهذه المملكة من قبل السلاطين و الأُمراء في النواحي العسكرية و الاقتصادية و الاجتماعية.
This paper aims at showing the significance of Al-Karak Kingdom in the Mamluki era through the artistic letter used to be issued by the Council (Dewan El-Ensha'a), being helped by what the contemporary historians, geographers, and travelers used to write about that era. Therefore, the sources of the study come from those who had seen the events and lived them in real. Moreover the research will point out the importance and care which were given to the Kingdom by the kings and emirs in all military, economic, and social aspects.
References used
الحميري، محمد عبد المنعم: الروض المعطار في خبر الأقطار، حقَّقه الدكتور إحسان عباس، مكتبة لبنان.
كرومبي: لاسل أبر: قواعد النقد الأدبي، ترجمة محمد عوض محمد، دار الشؤون الثقافية العامة، ط 2، بغداد، 1986 م
السلوك لمعرفة دول الملوك، حقَّقه محمد مصطفى زيادة، مكتبة دار الكتب المصرية، القسم الثاني، الجزء الثاني.
rate research
Read More
Women shared men in the cultural aspects of life during the Abbasid
ear, by proving to be famous poets and authors.
A group of women were very creative in poetry through its various
topics, such as praise, criticism and other topics.
In Prose, wo
men expressed their wide background knowledge
especially in two main areas in prose: the art of personal correspondence
and the art of dedication.
Women's contribution in the field of literature during the Abbasid
time, was actually a reflection of their interaction with the cultural
background of that era and an attempt for meeting the needs to be open to
the new civilisation arid a reflection of the ability to mingle with other
types of art in all fields. Women's contribution therefore is an indication
of their mental and intellectual potentials and the prominent role they
played by that time to give in the end a good example through their
genuine literature and writing..
Throughout the ages, Egypt had the honour of being the
country where the Kiswa (the embroidered black cloth covering the
Kaaba) had been manufactured. The Kiswa had been made in Egypt
– renowned for manufacturing such a textile - from the Pre-Isla
mic
Age down to the Islamic Age and throughout the successive Arabic
and Islamic historical stages. The Kiswa was looked at as a
political, military, and civilizational emblem for it was an emblem
of sovereignty in both the Arab and Islamic Worlds. The Mamluki
sultans had endeavored to achieve such a status since the very
beginning of their being in power and the rulers of Egypt. The
Mamluki sultans had maintained the hounor of having this dignified
religious emblem and they were involved in conflicts with other
powers just to maintain their patronage of this holy emblem which
denotes political, military, and cultural sovereignty.
Does the masjid of the Al'arbaein small size of great Does the
mosque of the forty-size small size as important as the
importance of the Umayyad Mosque or the Great Nouri, for
example? And why is it called?
A question may be raised in the ears of many people, and his
answer is found in this research.
This paper attempts at focusing on analyzing the poetic structure of a pre-and-post-
Islamic poet who witnessed and lived in the early Islamic and Umayyad Eras. With regard
to the objective, the paper is intended to shed light on the major features
and master pieces
of literary output, be its prose or verse, which is the human ego, the driving force and
dynamo behind any human creativity.
In this regard, the paper attempts at categorizing the major subjective characteristics
of a famous poet, such as Al-Farazdaq, who represented a unique phenomenon on the
creative, literary, and poetic scene, through the poetic satirical exchanges with Jareer, the
Umayyad poet laureate.
All this is being dealt with through trying to trace the major characteristics of this
ego and the impact it had left on the Arab poetic output.
The research deals with city image in the divan of the poet Abdul-Aziz Al-mukaleh.
It searches for the objective dimensions of the image and shows its importance and variety
devoting itself for the image in a way related to general native, national
and human issues.
It also deals with the aesthetic dimensions of the city image, and investigates its
language, music and how it can get benefit of the heritage in a multi-dimensional way.
The research has tried to define the features of the city image at Al-mukaleh, which
are related tightly to Yemen and its history, and that has made the city image
– at Al-mukaleh – more distinguished than that of other Arab poets, like Al-Bayani,
Abdul-Sabour, Hijazi and others.
The researcher has also referred to the poet’s success in conveying his message to the
reader, and what helped him to do that was a clear linguistic form, which we can say about
it: “ easy but rather impossible “. And an honesty of an intellectual attitude which is equal
to the saying: “what comes from the heart pours in it “.
Log in to be able to interact and post comments
comments
Fetching comments
Sign in to be able to follow your search criteria
