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Register a new userThe Dramatic Monologues of Constance Naden: The Voice of the Misfit
المونولوج الدرامي عند كونستانس نادين: صوت اللامنتمي
1965
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نور العربي( باحث )
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تناقش هذه الدراسة الطرق التي استخدمت بها الشاعرة الفيكتورية كونستانس نادين اسلوب المونولوج الدرامي كوسيلة لتقوية الهوية الانثوية و اكتساب الصوت النسوي. يستكشف هذا البحث على الجوانب و الوظائف الرئيسة للمونولوج الدرامي التقليدي و فحص الطرق التي ابتعدت بها نادين عن هذه التقاليد: اولاً عن طريق إعادة تعريف مفهوم اللامنتمي، و ثانياً عن طريق اعطاء المرأة دور المتكلم الفاعل في القصيدة و ترك دور المستمع الصامت للرجل. يقوم البحث بدراسة هذه الأفكار من خلال أربع من أهم قصائد المونولوج الدرامي لنادين و هي: "عالم الفضاء،" "الراهبة الكرملية،" "الاعتراف،" و "ملاك الرحمة.
This paper discusses the ways in which Constance Naden, a major female Victorian poet, used the dramatic monologue genre as a tool for female empowerment and for the acquisition a female voice. It explores the major aspects and functions of traditional dramatic monologues and examines the ways in which Naden departed from these traditions: Firstly by redefining the character of the misfit, and secondly by giving the female the role of the active speaker, rendering the male a mere passive silent listener. These aspects are mainly studied in the light of four of Naden's major monologues: "The Astronomer," "The Carmelite Nun,""The Confession," and "The Sister of Mercy.
References used
Works Cited: BYRON, GLENNIS. "Rethinking the Dramatic Monologue: Victorian Women Poets and Social Critique." Ed. Alison Chapman, Victorian Women Poets: Essays and Studies. Cambridge: D. S. Brewer, 2003. 79-98
HOMANS, MARGARET. Women Writers and Poetic Identity: Dorothy Wordsworth, Emily Brontë, and Emily Dickinson. Princeton: Princeton University Press, 1980
NADEN, CONSTANCE. The Complete Poetical Works of Constance Naden. Ed. Robert Lewins. London: Bickers and Son, 1894
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