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Register a new userThe Dramatic Dimension In Memyat Hssan Ibn Thabet Al-Anssary
البعد الدرامي في ميمية حسان بن ثابت الأنصاري
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ينظر هذا البحث إلى الشعر القديم على أنه قد يتسم ببعد درامي يتواشج مع السمة الغنائية المهيمنة؛ لأن الحس الدرامي انعكاس للصراع بين البشر، و هذا بطبيعة الحال لا يتوقف على وجود مسرح كما عند اليونان و مَن جاء بعدهم، بل نجده في الشعر أيضاً. إضافة إلى أن غنائية القصيدة العربية القديمة لم تقف حائلاً دون ظهور بعض الأبعاد الدرامية المبثوثة فيها.
This research shows that the old poem may be characterized by dramatic dimension, which is connected with dominance of the particular lyricism, because the dramatic sense is a reflection on the humanitarian contest. That is not depend on the theater as at Greeks era and after. However, we can find it in poems too. In addition, the lyricism of the old Arabic poetry does not prevent the appearance of dramatic dimension in it.
References used
Ibrahim, Dr. Mouhammad Hamdi, 1994, Nazaryat Al Drama Al Igrikya, T1, Al Shareka Al Masrya Al Alamya Lilnasher, Longman, Maktabat Lebanon Nasheroun
Islin, Marten, 1994, Al Bunya Al Tashrehya Lildrama, T1, Tarjamat: Dr. Munzer Mahmoud, Matbaat Ikreema, Damascus
Al Barquqi, Abdulrahman, D.T, Shareh Dywan Hassan Ben Thabet, Dar Al Kitab Al Arabi, Beirut
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This paper examines this subject in terms of the following mechanism:
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from any effort argumentative differentiated in the descriptive
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The research attempts to compromise a linguistic case to be understand able it’s the
theory in phase the formation, and it is the detection hangs in about the image which
appeared in its personality of the oratorical self, the transformations which
occurred on it,
and their application mechanism to a linguistic text which is the speech of AL- HASAN
Ibn ALI Ibn ABI TALEB In Sabatt.
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can get to the speech of AL- HASAN Ibn ALI, analysis of procedural processes in the
study of linguistic phenomena after determining their scope time and environment, and
detecting shifts in the image of the discourse product "ethos" .
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