Arab criticism has accessed a phase in which the tendency to changing the diction
of dealing with the text whether it was narrative or verse was an urgent necessity.
The most important aspects of this change are shown in the interest in what is
ca
lled (Form), the non-separation between the content and the context, revealing the
internal secrets of texts in an attempt to refreshing the point of view to the narrative text
and dealing in a different way with its structure throughout making a reading variety
derived from the common and the uncommon modern critical theories.
The interest in studying narrative structure on top of the critical researches
involved in novel which take part in introducing critical processing that analyses texts and
aims to uncover them away from mental – social and historical references that go-round
them.
