End-to-end style-conditioned poetry generation: What does it take to learn from examples alone?

In this work, we design an end-to-end model for poetry generation based on conditioned recurrent neural network (RNN) language models whose goal is to learn stylistic features (poem length, sentiment, alliteration, and rhyming) from examples alone. We show this model successfully learns the meaning' of length and sentiment, as we can control it to generate longer or shorter as well as more positive or more negative poems. However, the model does not grasp sound phenomena like alliteration and rhyming, but instead exploits low-level statistical cues. Possible reasons include the size of the training data, the relatively low frequency and difficulty of these sublexical phenomena as well as model biases. We show that more recent GPT-2 models also have problems learning sublexical phenomena such as rhyming from examples alone.

تحليل قافية النون في ديوان الإمام الشافعي

يشمل المرجع ٥٨ صفحة عن تحليل قافية النون في ديوان الإمام الشافعي. بالاضافة إلى النموذج والتنوعات، الهيغوغرام المصفوفة

عناصر التخييل في شعر محمد عمران

يحاول هذا البحث مقاربة عناصر التخييل في شعر محمد عمران, انطلاقاً من أهمية التخييل في المعمارية الفنية للقصيدة العربية, ودوره في رفد هذه القصيدة بمقومات الجمال والشعرية, إذ يُعد الخيال جوهر الصورة الشعرية, ومجالها الحيوي الذي يضمن لها الفاعلية والتأثير على المستويات كافة, وقد اعتنى البحث بنظرية الخيال عند الغرب والعرب على المستوى التنظيري, ثم اختبر فاعلية التخييل في شعر عمران من خلال أربعة عناصر أساسية, وهي: الابتكار التخييلي, والمبالغة التخييلية, والتجسيد والتشخيص, والوعي التخييلي, ليصل إلى نتائج تُبيّن جماليات التخييل ودوره في الارتقاء بالنصوص الشعرية إلى ذرا دلالية مفتوحة على التأويل.

Women in Abu Tammam's Artistic Experience

The research presents the image of women in the life of Abu Tammam and his artistic experience through what Abu Tammam presented in his poetry library. It shows us that women occupy a prominent place in their artistic experience and have appeared in many ways. There is a beloved that the greatness of his travel and talk about it, is often a talk of self, and women who refuses to obey the poet's desire because it will lead to the life of fainting and idle. We start by talking about the image of women as drawn by the poet in his verses, and his concept of true love as presented by the poet, and then we offer the concept of beauty of women in Abu Tammam and as presented by his hair and his position of gray,

Representations of Poetic Heritage in Andalusian Prose

The Andalusian prose has a history of greatness , and quality in which it is written . This research comes to prove the admiration of the Andalusian ى writers of the Oriental heritage in general , and poetry in particular, despite their different ideological and literary attitudes , by revealing the manifestations of poetic heritage in the Andalusian prose , and highlighting the most prominent poets influenced by the writers of Andalusia , and took from their poetic texts to meet their literary needs .

Style Structure in Modern Syrian Poetry: "Taf'eela Verse" as an Example

The proposed study suggests that exploring style structure in the Taf'eela Verse (free verse) of modern Syrian poetry may be achieved through the manifestations and rich pictures that it encompasses. But these manifestations, pictures, and linguistic and artistic revelations must usher the way to the rest of the materialized structures which are interacting with it, on the one hand, and perhaps it overpasses them towards their distant implied spheres, on the other hand.

Paradox in the Conquest Poetry in Early Islam

This study considers the meaning of this term from all perspectives: It is mature, dimensions, mechanisms and types because it is closely associated with poetry, and artistic experience, and with the existential comprehension related to the world matters as a whole, which depends on the principle of twin elements and their antagonistic relations. This style has appeared in the poetry of the Islamic conquests in early Islam.

The poem introduction in Al-Mutanabbi's Poetry

Al-Mutanabbi, as we all know, is a poet who filled the world with poetry providing a tale and reflecting the sublimity of creation and art.He is still like a torrential spring from which scholars drinkn to quench the thierdt of their pens in search of his creative works, trying to reveal the secret of that creation which involves inventive psychological feelings that made him form his poetry with wonderful aesthetic artistry, something which, gave Arabic a particular dealing with the word use which, perhaps, is almost unique to Al- Mutanabbi so that this creation which remained constanly with him till he became famous for it as if it had been his identification card he held. No sooner does ascholar read that language than he sees Al-Mutanabbi's ID Card which has later became the ID card of Arabic poetry, affecting its advance and restrationcreativey, aristically and intellectually throughout ages and history.

Criticizeability of a Classical Critical Text

The current research criticizes a classical critical text that appeared in (The Book of Al- Aghani) with two supportive clues: it is reflection to (Musa’b Ibn Abdullah al-Zubeiri), in which it handles the poetry of (Umar Ibn Abi Rabiaa) and highlights his position among contemporaries and peers. This research describes (Musa’b’s) text: it discloses the style, analyses the constituents, interprets the critical terms and viewpoints, tends to pursue the implications through scrutinizing the proposed poetical coexistences, up towards conceptualizing the emerging critical insight-being a critical insight that represents a creative approach within the critical thinking of Arabs. This is due to that the fact that Musa’b’s legacy stands as the primordial classical critical Arabic text that encompasses the receptor’s viewpoint in the comprehensive intuitive experience. Nonetheless, it does not consider the influential impressionistic rules that had been concurrent at that age sufficient, neither finds it efficient to have one, two or three lines of verse to pinpoint its viewpoints, as had been the custom. Rather, it studies the wholesome of Omar’s literary production (Umar’s Anthology) being one single text in which he pours his expertise, thoughtfully penetrates its essence in an attempt to uncover the secrets distinguishability, excellence over its contemporary texts. Therefore, it stands as the first critical Arabic text that examines the (stylistic uniqueness) that characterizes an outstanding creative figure via the creatorreceptor interaction over the domain of the text.

أثر الإسلام في شعر الغزل العفيف

This research is dedicated to the aspects of the affected poetry (crazy Leila) and (crazy Lubna) of cultural Islamic, has resorted to extrapolate poetry of Qies Ibn thareeh and Qies Ibn Almoulawah and the development impact of this culture and linked Islamic origins as I could, it did not delve into the analysis and reasoning and so forth; because it needs to be a broader expanse not endure this search and I hope to be put the light of the moral aspect of his poetry.