الدراسة المؤمّلة ترى أنّ الولوج إلى بناء الأسلوب في شعر التفعيلة في الشّعر السّوري
الحديث يمكن أن يكون من خلال المظاهر و الصّور الخصبة فيه، و لكن هذه المظاهر
و الصّور و التجليات اللغويّة و الفنيّة لابدّ أن تنفتح على بقيّة البُنى المتحققة المتفاعلة معها
من ناحيّة، و ربما جاوزتها نحو آفاقها المضمونيّة البعيدة من ناحية أخرى.
The proposed study suggests that exploring style structure in
the Taf'eela Verse (free verse) of modern Syrian poetry may
be achieved through the manifestations and rich pictures that it
encompasses. But these manifestations, pictures, and linguistic
and artistic revelations must usher the way to the rest of the
materialized structures which are interacting with it, on the
one hand, and perhaps it overpasses them towards their distant
implied spheres, on the other hand.
References used
الاتّجاه النّفسيّ في نقد الشّعر، عبد القادر فيدوح، 1993 م، الدار العالمية . للكتاب، المغرب، ط1.
الأسلوبية و تحليل الخطاب في النقد الحديث، نور الدين السدّ، دار هوقه، الجزائر، 2010 م.
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There were a lot of motivation that illuminated it's roots , and the most important types of
these motives are the psychological and artistic motives that is represented in
The study attempts to explore the structure of poetic
image in the free verse of modern poetry which is considered as the main
feature of modernity that lies in the elements of surprise and paradox,
deviation and spacious fantasy which opens up horizons to the recipients
for multiple and open readings.
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However, this thesis discusses
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