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Register a new userالتّكرار في شعر حُمَيد بِن ثَور الهِلاليّ
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Aِl-Baath University ورقة بحثية
Publication date
2017
fields
Literature
and research's language is
العربية
Created by
Shamra Editor
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تهدف الدراسة إلى الكشف عن مظاهر تشكيل البنية الصوتية و تحليل الدلالات تحليلا أسلوبيا بهدف الكشف عن مكنونات الصٌورة الشعرية الجزئية و الكلية.
this study aim to discover the formatiey of sound and to analyize semantics to find out the whole and partial image .
References used
Abade, Magd alden Mhamad,bn Eakob, 2008m,Alkamos almohet, ratbaho wa wasakho: kalel Mamon sheha ,dar almarfa, Baerot- Libnan, taba:3
Abn Saor al helale, Homaid ,aldewan, sanaho alastaz Abd Alazez Almemane, 1371h-1951m, matbat dar alktab almasrea, Alkahera
Algawhare, Abo Mansor, Esmael bn hmad, (393h), 1987m-1407h, alsehah, tahkek: Ahmad Abd Algafor Atar, taba alraba,dar alalm llmalaeen, Baerot
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It aims at research paper to study the aesthetic of
repetition in the poetry of (Badwi Aljabl) while trying to find
out the nature of this technique, its structure, its aesthetic
formulation, which included Repetition of the word, repetition
of t
he phrase, repetition of the phrase, the repetition of the
syllable, the initial repetition, to detect its rhythmic energies, its
moral horizons, its psychological dimensions, its constructive
architecture, its affective potential, and its abilities to suggest
the creator's experiences and also how far the poet to well
structured using it as an effective tool in its poetic text.
تناول هذا البحث جماليات تكرار الأحداث في قصص القرآن، فبدأ بعرض مفهوم
التٌكرار في اللغة، ثم أوضح معنى التٌكرار في القصٌة أو الرواية، و بيٌن أنواعه الثلاثة
المتمثلة في التٌكرار الزائد و تكرار الحدث و تكرار السرد، ثم ذكر معنى التواتر أو التردد،
و الاحتمالات القائمة عليه .
Al-Mutanabbi, as we all know, is a poet who filled the world with poetry providing a
tale and reflecting the sublimity of creation and art.He is still like a torrential spring from
which scholars drinkn to quench the thierdt of their pens in search
of his creative works,
trying to reveal the secret of that creation which involves inventive psychological feelings
that made him form his poetry with wonderful aesthetic artistry, something which, gave
Arabic a particular dealing with the word use which, perhaps, is almost unique to Al-
Mutanabbi so that this creation which remained constanly with him till he became famous
for it as if it had been his identification card he held. No sooner does ascholar read that
language than he sees Al-Mutanabbi's ID Card which has later became the ID card of
Arabic poetry, affecting its advance and restrationcreativey, aristically and intellectually
throughout ages and history.
This research aims to study the dimensions of honey harvesting in the poetry of Al-
Huthaliyeen who associate talking about honey harvesting by comparing the sweet taste of
honey to a woman's saliva taste. Thus , they demonstrate the pleasure of ac
hieving the
desiredgoalafter toil. In this context , we see them highlight the mixing of honey with pure
water and wine to signify the sublime life they seek to attain. In their poetry , we see them
explore the poor living conditions of the apiarist - his toil and experiencing dangers to get
honey. They explain that in his quest of honey under difficult conditions like the rugged
place , the apiarist offers an image of a poet who strives to accomplish his goal. The
dangers of getting honey are highlighted in Al- Huthaliyeenpoetry. Such dangers increase
the hardships of reaching the goal in which the prerequisites and permanence of life are
represented.
The term greatness was taken on multiple meanings, and different
ways. However in the Islamic Arab thought, which Al-Motanabby
belongs to this concept was based on an essential point which is
perfection. In other words, perfection is the core of g
reatness and the most important feature in it is glory.
In Al-Motanabby's poetry, greatness was manifested in this sense,
and included many elements of existence, but the clearest and most important image was the one of the great man. Therefore, we focus, in this study, on human greatness through two images:
First, the great self, the image of Al-Motanabby him self.
Second, the great hero, the image of Sayf-Aldawlah the ideal savior Arab hero .
And as great is associated with beautiful for Al-Motanabby, so we
clarified his understanding of this kind of beauty, to discover that it was from spiritual or mental word, and not from material one
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