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جماليات التّكرار في القصّة القرآنيّة

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 Publication date 2017
and research's language is العربية
 Created by Shamra Editor




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References used
إعجاز القرآن, أبو بكر محمد بن الطيب الباقلاني, تحقيق: السيد أحمد صقر, دار المعارف-مصر, ط3.
البرهان في علوم القرآن, بدر الدين محمد بن عبد الله الزركشي, تحقيق: محمد أبو الفضل إبراهيم, دار التراث, القاهرة.
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For many critics, Dorothy Wordsworth remains enigmatic. Critical attempts to define her and her work have frequently concluded she is pathetic and unsophisticated in her writing, and, at best, is important as an integral part of her brother Willia m’s creative development and his work. This paper hypothesizes that the aesthetic revealed in The Grasmere Journals ،and Dorothy’s letters and poetry exhibits a carefully sculpted outward cheerfulness and harmony, and an inward melancholy born of fear of marginalization. The aesthetic revealed in these works illustrates an internalized understanding of 19th century philosophic ideals, gained through her extensive reading and contacts.
This paper seeks to present a conception of the sea and its effective role in the contemporary Syrian short story through a study of the works of a number of short story tellers who travelled at sea in search for mysteries of life to gain an unders tanding of the universe and explore the suffering of coastal residents. This conception is manifested in the short story writings by Abul Kader Rabe'a, Muhsen Yousef, Muhammad Smeer Jua'ra and others. The sea in the short story represents human concerns and the interdependent relationship between man and the sea. Each writer in his own way moves as a result of suffering from the private concerns to the national concerns. This is the center of Muhsen Yousef's stories through a heroic resistance and bitter struggles with the powers of evil aliened with internal powers that have attempted to control the nation's coasts. The Arab resistant triumphs over the powers of evil in a heroic epic and forces the powers to withdraw in defeat.
It aims at research paper to study the aesthetic of repetition in the poetry of (Badwi Aljabl) while trying to find out the nature of this technique, its structure, its aesthetic formulation, which included Repetition of the word, repetition of t he phrase, repetition of the phrase, the repetition of the syllable, the initial repetition, to detect its rhythmic energies, its moral horizons, its psychological dimensions, its constructive architecture, its affective potential, and its abilities to suggest the creator's experiences and also how far the poet to well structured using it as an effective tool in its poetic text.
this study aim to discover the formatiey of sound and to analyize semantics to find out the whole and partial image .
يطمح هذا البحث إلى تقديم قراءة جديدة لرسالة الغفران لأبي العلاء المعري, و يحاول من خلال هذه القراءة استثمار معطيات النقد الأدبي الحديث للكشف عن ذخائر النثر العربي القديم الذي لما تزل الدراسات النقدية تنظر إليه بوصفه محتوى لا بوصفه بناء مترفا بغير إشا رة إلى أن ثمة وعيا مبكرا لدى الأدباء العرب الأقدمين بأهمية الشكل, و إلى أن هذا الأخير مكون من مكونات الدلالة في النص.
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