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Register a new userJoan of Arc as a Historical Figure
جان دارك كشخصية تاريخية
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Aِl-Baath University ورقة بحثية
Publication date
2017
fields
English
and research's language is
العربية
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Shamra Editor
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يهدف هذا البحث إلى إبراز صورة جان دارك كما تجلت في كتابين تاريخيين شهيرين: الأول لإدوارد هول و الثاني لرفاييل هولينشيد, اللذين يعدّان مصدرين أساسيين لصورتها في مسرحية شكسبير "هنري السادس الجزء الأول". ثم يمضي البحث قدماً في إظهار صورتها في كتاب تاريخي فرنسي رئيسي و من ثم في أعمال أدبية أخرى تساعدنا على فهم شخصيتها بوصفها محاربة و تلقّت اتّهامات كثيرة جراء ذلك الدور.
This paper aims at revealing the image of Joan of Arc as it appeared in two well-known chronicles: Edward Hall's chronicles and that of Raphael Holinshed, which are regarded as the basic sources for her image in Shakespeare's play Henry VI Part 1. This paper then proceeds to show her image in a major French history book, and in other literary works which can help us to understand her personality as a female warrior who faces many changes by reason of that role.
References used
Shaw, G. Bernard. Saint Joan. London: Orient Longman Ltd., 1954. Print
Christie, Mabel E. Henry VI. Kings and Queens of England. Ed. Robert S. Rait M. A and William Page F. S. A. Boston: Houghton Mifflin Company, 1922. Print
Darwin, Charles. The Descent of Man, and Selection in Relation to Sex. Princeton: Princeton University Press, 1981. Print
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There are many views on the question of the logic and mechanisms of historical
development of human society; visions and answers vary, to the extent of total conflict
sometimes, on other issues that relate organically to the first question, perhaps
the most
prominent of which is the general picture of the historical evolution diagram, Sequentially
spherical stages, as well as the question of the so-called nation or the multiple nations that
alternately lead the ship of the evolution of human society in general. This is where the
sharp contrast between the two theories of the so-called equal evolution and the unequal
historical evolution as a problem from which the research begins and ends with emphasis
on the credibility of the last thesis and on highlighting a large and dangerous part of the
ideological manipulation and blindness of the first thesis. The latter, which is one of the
moss serious thesis of European orientalism and the pervasive wooden understanding of the
original thought of Marxist origin.
قوى الإنتاج
علاقات الإنتاج
التطور التاريخي اللامتكافئ
التطور التاريخي المتكافئ
بلدان الأطراف
بلدان المراكز
المركزية الأوروبية المزعومة
المعجزة الرأسمالية المزعومة
The unequalhistorical evolution
The equalhistorical evolution
The countries of the peripheral
The countries of the central
The alleged European centralism
The production of forces
The relations of production
المزيد..
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knowledge.
History of Damascus is not enough to explain its emergence. the inadequacy of available scientific
justifications for Damascus in apart from the urban surroundings, originate hard acceptance for results
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compared to the recommendations which were described
by the old specialists when choosing places of cities. This research tends to overtake some of the historical
statements; and heading towards proving the importance of existing urban pattern in the spatial domain,
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regional effects had an impact on the regular urban which responds to the terms of the creation of
dominate city before Damascus.
our research is a vital part in describing the sufferer. Depression,
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aesthetic feature''. So, the essence of suffering lies in basic issues
that undergo negative emotions which make the sufferer unable to
move in the real world properly.
This paper seeks to show the development to Henry V's image
from a legendary figure into a tragic hero. It first explores his
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Famous Victories of Henry the Fifth, where he appears as a f
olk
hero with his patriotic vaunting. Then this study moves to examine the image of Henry V in Shakespeare's Henry IV and Henry V, and proceeds to assert that the playwright presents this hero as an individual who has his personal ambitions for loyalty. But, despite his heroic feats, we note that Shakespeare ironises him because the letter conceals some qualms about his father's usurpation and complicity in Richard II's murder.
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