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Register a new userSpace as an Arbiter of Cyborg Psychosis in Margaret Cavendish’s The Convent of Pleasure
المكان بوصفه ذهان السايبورغ في مسرحية دير المتعة للكاتبة مارغريت كافنديش
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Aِl-Baath University ورقة بحثية
Publication date
2016
fields
English
and research's language is
العربية
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Shamra Editor
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يتناول هذا البحث دور المكان في توصيف حالة الرهاب التي تصيب المجتمع الذي ( تحكمه الماهية البيولوجية. يعزى هذا الرهاب، كما تقدمه مسرحية "دير المتعة" (1668) للكاتبة مارغريت كافنديش، الى الخوف من إمكانية الوصول الى إنسجام بيولوجي داخلي. بإشارتها الى مؤسسة دير الروم الكاثوليك، تنتقد مسرحية كافنديش مفهوم القطبية البيولوجية كما و تقاوم إنشاء تسلسلات هرمية جديدة تعيد تكريس مفهومي التمكين و الخضوع. و للوصول الى هذا الهدف، تشخص هذه المسرحية نوعا من الذهان الجماعي الذي يتولد من تكريس وهمي للاختلافات البيولوجية العدائية و الذي يسبب إنكار كلا الجنسين لوجود السايبورغ أو الثنائية الهجينة الدفينة في ماهيتيم. في هذا الشأن، يعالج هذا البحث الثغرات الموجودة في الدراسات المتصلة بمسرحية "دير المتعة."
This article addresses the role of space in re-imagining a case of essentialist society as collective gender paranoia of biological reconciliation, as presented in Margaret Cavendish‟s The Convent of Pleasure (1668). Using the institution of the Roman Catholic convent, Cavendish‟s play interrogates biological polarity and disavows establishing reversed gender hierarchies of empowerment and subservience. To this effect, the play suggests a communal psychosis, being delusively constructed by antagonistic biological differences that generate both sexes‟ denial of cyborg or hybridized dualism in their gender identification. In this regard, the presented argument addresses several critical lacunae in the scholarship of The Convent of Pleasure.
References used
Anderson, J.C., and Stephen D. Moore, eds. New Testament Masculinities. Atlanta: Society of Biblical Literature, 2003. Print
Bernaerts, Lars, et al “Narratives Threads of Madness.” Style 43.3 (2009): 283-90. Print
Bon, Ottaviano. The Sultan’s Seraglio: An Intimate Portrait of Life at the Ottoman Court. Ed. Godfrey Goodwin. London: Saqi, 1996. Print
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