Subscribe to the gold package and get unlimited access to Shamra Academy
Register a new userBeing and Event Introduction to the Philosophy of Alain Badiou
الكينونة و الحدث مدخل إلى فلسفة ألان باديو
2871
3 114
0
(
0
)
Authors
جلال بدلة( باحث )
Created by
Shamra Editor
Ask ChatGPT about the research
الكينونة و الحدث هو عنوان الكتاب الأبرز للفيلسوف الفرنسي ألان باديو، لكنه أيضاً عنوان فضاءٍ فلسفي بأكمله، هو الفلسفة المعاصرة. بين حدّي هذا العنوان، أعادت الفلسفة ترتيب جميع المفهومات الفلسفية التقليدية، الحقيقة و الذات على وجه الخصوص. تمتاز فلسفة باديو في هذا الإطار بغنىً نوعي، لأنها عادت إلى الفلسفة منذ نشأتها الأولى، و دخلت في حوار مع أكثر اللحظات الفلسفية بروزاً في تاريخ الفلسفة. نعرض في هذه المقالة لمذهب هذا الفيلسوف في خطوطه العريضة، و هو العرض الأول باللغة العربية. و نناقش أهم الموضوعات التي طرحها، لا سيما السياسية منها.
Being and Event is the title of the most prominent book of the French philosopher Alain Badiou, but it’s also a title of an entire philosophical space. Between the two sides of this title, the philosophy has reorganized all the traditional philosophical concepts, especially the truth and the subject. In this context, Badiou’s philosophy is particularly affluent, because it returned back to the very beginning of the philosophy, and launched a discussion with the most eminent philosophical moments in the history of philosophy. In this article, we represent the outlines of this philosopher’s doctrine, it’s the first representation of its kind in Arabic, and we discuss the most important topics he put up, especially the political ones.
References used
ألان باديو، في مدح الحب، ت. غادة الحلواني، دار التنوير، بيروت، 2014
ألان باديو، بيان من أجل الفلسفة، ت: مطاع الصفدي، العرب و الفكر العالمي، مركز الإنماء العربي، بيروت .1990
rate research
Read More
This session introduces the students to Version Control Systems such as Git as well as an explanation for Github and its uses
The impact of Spinoza's criticism of the religious phenomenon along with its relation
to human beingshas been greatly evident on theintellectual climate of modern philosophy
in general, and the Study of the philosophy of religion that emerged with
Kant later in
particular.Thus, we can assert that the philosophical trend of Spinoza has paved the wayfor
Kant’s researches to go on in this direction.Consequently, his researches have been
influenced by the achievements of the intellectual and cultural environment that prevailed
at that time; from Bruno and Descartes to Copernicus and Galileo walked libertarian
direction of mental ahead in the criticism of the principles underlying philosophical and
natural thought in the sixteenth and seventeenth century، but none of those have had the
intellectual courage to put religion into criticism. Especially, withina religious environment
that has been dominated by exceptional religiosityin order to face the expected danger of
philosophers and thinkers.
Within this atmosphere of exceptional religiosity, Spinoza has logically criticized all
sacred things of his time such as: the Holy Bible, the nature of God, the relationship
between faith and reason, the concept of miracle, prophecy, and the afterlife. He has raised
many doubts aboutthe whole religious phenomenon calling for conducting many
researches and teststhat might lay bare the hidden truth that religion claimed to have and
being the everlasting salvation for human kind.By doing so, he has created a novel
philosophical trend that has been known today as the philosophy of religion.
Heidegger's philosophy of art is considered a philosophy that is different from what
we are used to with other philosophers. He made art as one of ways to expose the truth,
because the quiddity of existence manifests from appearance of the existed
and it's
openness by the work of art, within a stressful relationship between the world and the
earth. The art has to bring them closer, so that man can create a world that contains all
possibilities, so he used the instrument to bring for the earth from its obsession and make
the world appear.
What we want to get to in this research is knowing the basic ideas about Heidegger's
philosophy of art, and explaining the concept of aesthetics from his point of view. This was
done through our presentation of his philosophy and the subjects that he adopting. "The
origin of work of art, the relationship between world and earth, and the concept of truth",
and treated by examination using a method that combines phenomenology with ontology to
answer the question: "What the quiddity of art is?"
Feuerbach tried to make the power of love a kind of power that cannot be matched
with any other power as love defeats all his opponents even if God is one of them. Love is
always victorious. That's what made the concept of love in Feuerbach’s ideas
a
distinguished and unprecedented concept comparing to all concepts handled by those
philosophers before him. This kind of love dominates the body and soul together and it is
inseparable from our body, may not live outside our soul, it is the basis of the body and the
essence of the spirit.
Feuerbach wanted to make love a link between a mankind and another so there is no
love if one existence and the other is absent. Feuerbach doesn’t limit himself at this point
but goes on to ignore the existence of human being without being in love or loved by other
person. That who does not love does not exist, even religion has neither benefit nor
importance if it is not based on love because love is the reason and core in other words
love is the reason behind the existence of religion.
This research deals with structure of power and its concept in Farabi's political
philosophy, by analyzing his basic thesis of Utopia, and analyzing the relation between
governor and the parish, and explaining the political connections that control
this city, like
the stratification and ideological structure down to the relationship between the prophecy
and philosophy, all this through systematic reading deals with the power of speech and its
relationships, and the semantic context through which these ideas emerged, and the nature
of cultural relationships that control thought and cultural production in that era. By
understanding Farabi's political ideas and their situation of speech context emerged the
category of (good authority) as a reflection of the structure of that era, and an alternative to
the category of existing power at that time which was based on tradition and the sanctity of
hereditary rule. Here Farabi's summon the pronouncements of the Greek speech and
reconstructing and integrating them in the context of the Islamic intellectual on the one
hand becomes a necessity which is required to the building of the political alternative of
religious feudal authority, and on the other hand its unique feature and characteristic
distinguish the Farabian philosophy through his building a philosophical pattern which
combines rationality and inspiration.
Log in to be able to interact and post comments
comments
Fetching comments
Sign in to be able to follow your search criteria
