Subscribe to the gold package and get unlimited access to Shamra Academy
Register a new userHeritage Symbols in the Poetry of Izz Al-Din al Manasrah
الرموز التراثية في شعر عز الدين المناصرة
2554
1 29
0
(
0
)
Authors
إبراهيم منصور الياسين( باحث )
Created by
Shamra Editor
Ask ChatGPT about the research
يروم هذا البحث مقاربة ظاهرة توظيف الموروث في تجربة عز الدين المناصرة الشعرية، و بيان دورها في خدمة تلك التجربة، و إضاءة جوانبها من الناحيتين النظرية و التطبيقية. ففي الناحية الأولى تُبين مفهوم الرمز التراثي، و كيفية توظيفه في النص الشعري. و في الناحية الثانية تتوقف عند عدد من الرموز التراثية التي كان لها حضور واضح في شعره، و وظف بطريقة تجمع بين الماضي و الحاضر جمعاً جديداً كالرمز الديني و الأدبي و التاريخي و الشعبي و الأسطوري.
This paper seeks to clarify the employment of heritage in Izz al Din Al Manasrah's poetic experience and its role in the service of this poetic experience in both its theoretical and practical aspects. Theoretically, he dwells on the poetic phenomenon, and its application in the poetic text. Practically he dwells on a number of heritage Symbols which were clearly illuminated in his poetry , and which were employed in a way that newly combines between the past and present such as the religious, literary ,historical , folkloric and legendary symbol.
Artificial intelligence review:
Research summary
يهدف هذا البحث إلى دراسة توظيف الموروث في شعر عز الدين المناصرة، موضحاً دوره في إثراء تجربته الشعرية من الناحيتين النظرية والتطبيقية. يتناول البحث مفهوم الرمز التراثي وكيفية توظيفه في النص الشعري، مع التركيز على الرموز الدينية والأدبية والتاريخية والشعبية والأسطورية التي استخدمها المناصرة. يبرز البحث أهمية التراث في تجربة المناصرة الشعرية وكيفية دمجه بين الماضي والحاضر بطرق مبتكرة، مما يعكس عمق ثقافة الشاعر ونضجه الفكري. كما يوضح البحث كيف أن استخدام المناصرة للرموز التراثية يعزز من أصالة انتمائه وابتكار ذاته، مما يجعله نقطة مضيئة في تطور الشعر العربي الحديث.
Critical review
دراسة نقدية: على الرغم من أن البحث يقدم تحليلاً شاملاً ومفصلاً لتوظيف الرموز التراثية في شعر عز الدين المناصرة، إلا أنه يمكن أن يُنتقد من ناحية التركيز الزائد على الجانب النظري دون تقديم أمثلة كافية من النصوص الشعرية لدعم التحليل. كما أن البحث قد يستفيد من مقارنة أعمق بين استخدام المناصرة للرموز التراثية واستخدام شعراء آخرين لنفس الرموز، مما قد يضيف بعداً إضافياً للفهم. بالإضافة إلى ذلك، يمكن أن يكون هناك تركيز أكبر على تأثير هذه الرموز على القارئ وكيفية تلقيها في السياق الثقافي المعاصر.
Questions related to the research
-
ما هو الهدف الرئيسي من البحث؟
الهدف الرئيسي من البحث هو دراسة توظيف الموروث في شعر عز الدين المناصرة، موضحاً دوره في إثراء تجربته الشعرية من الناحيتين النظرية والتطبيقية.
-
ما هي أنواع الرموز التراثية التي تناولها البحث؟
تناول البحث الرموز الدينية والأدبية والتاريخية والشعبية والأسطورية في شعر عز الدين المناصرة.
-
كيف يعزز استخدام المناصرة للرموز التراثية من تجربته الشعرية؟
استخدام المناصرة للرموز التراثية يعزز من أصالة انتمائه وابتكار ذاته، مما يجعله نقطة مضيئة في تطور الشعر العربي الحديث.
-
ما هي النقاط النقدية التي يمكن توجيهها للبحث؟
يمكن توجيه النقد للبحث من ناحية التركيز الزائد على الجانب النظري دون تقديم أمثلة كافية من النصوص الشعرية، والحاجة إلى مقارنة أعمق بين استخدام المناصرة للرموز التراثية واستخدام شعراء آخرين، بالإضافة إلى التركيز على تأثير هذه الرموز على القارئ.
References used
أحمد، محمد فتوح: الرمز والرمزية في الشعر المعاصر. ط 3، دار المعارف، القاهرة، 1984.
إسماعيل، عز الدين: الشعر العربي المعاصر: قضاياه وظواهره الفنية والمعنوية. دار الثقافة، بيروت، 1972.
التطاوي، عبد الله: المعارضات الشعرية: أنماط وتجارب. دار قباء، القاهرة، 1998.
rate research
Read More
The cultural heritage image, which is one of the modern figurative images, has been
increasingly used in modern Arabic literature which finds in traditions a rich source for
figurative image.
This research deals with one of the mechanisms to emplo
y this image in Mamdouh
Adwan's poetry, which is the cumulative employment. The research has chosen one
example highlighting the significance of this partial image in constructing integrated
scenery which, in turn, produces a full image. Moreover, this research confirms the
importance of cultural heritage in providing the poetic image with components and
elements that have specific semantic nature. Consequently, the interaction between the
author and the cultural heritage becomes effective, at the level of the image, in order to
produce poetic vision of a traditional reference. However, it does not eliminate the
originality of the poet; rather it deepens the content and gives the form new artistic devices.
The problem of the Self occupies an important place in the philosophical thought, as the link between two major sections in philosophy: the study of knowledge and the study of existence which has received considerable attention throughout the history
of human thought. Philosophers have split into several directions notably the physical, the ideal and the realistic.
These attitudes reflected in the opinions and theories of Arab thinkers and philosophers where they treated this matter deeply and accurately, stemming from the nature of their hesitant attitude among the religious and the mental, of whom Fakhr
al-Deen al-Razi has devoted to this problem a large area in his compositions.
We wonder here about the nature of his attitude and how could he reconcile his philosophical mental bias and the Islamic concept of the self which is based on the axioms of the text?
This research studies the phenomenon of contrast that was
manifested in the poetry of Al Ahwas Al-Ansari ,taking different
colors ,between the singularity and the composition or the
metaphorical image that the poet intended to find to create a
tangled word of relation embraced by the language of poetry.
Our old poetry is still attracting us by its meaning, structure and pectorial methods, and it
opens up in front of us prospects of study and research.
How much the researchers studied its solid peaks, and they are still discovering in its
hidings
a lot and new things. When ever they read deeply and they saild in its hidden and
mysterious waves, and our heritage is rich with the poetry of unknown poets who are still
forgetten for many reasons.
Giran Al-oud Al-Numyrie is one of the poets who didn’t write largely which we stopped to
study them, and his poetry drew our attention by its different subjects. What was found of
the distinct technical and rhetorical properties, and the poetry for woman drew our
attention, He was a poet of flirtation and description by describing woman excessively. He
succeeded in portraiting the woman and he had his own experience with her. We wanted to
remove what is unknown a bout this poet, and his life and stop to think a bout the woman
in his poetry. We can discern the variety of photos discriptions which he presented for the
woman, and we can feed the effect of environment and Culture and his personal life of the
poet in riching his poetic experience and nourishing his imagination .
This piece of research endeavour to analyse the poetical structure of one of the most
recognizable Umayyad poets. He was the poet of the sensitive imagination that is
dominated by mind. He used to handle, and as well critically probe, each of his p
oems
singly. This had manifested his poetry as well-structured, fully-fledged talendedness,
accurate expressions and fluent pouring of thoughts. He stood as one of the most apparent
three poets of their period: Jareer and al-Farazdaq. He had highlighted the literary heritage
and superby handled it.
This piece of research attempts to concentrate on the most obvious characteristics of
the human self as observed by al-Akhtal al-Kabeer through penetrating his literary style,
the most distinguishable psychological features, and studying these features quite
considerably. Toward this temptation, the research tends to examine these most
recognizable features in the anthology of the great poet al-Akhtal al-Kabeer where he
constitutes a unique experience in the field of the literary and poetical creativity: he
surpasses his peers and contemporary poets, and gains the admiration of the authoritative
circles. All this continues in an attempt to recognize the the most promoted features of this
self, and the deep influence that the Arabic literary production witnesses.
Log in to be able to interact and post comments
comments
Fetching comments
Sign in to be able to follow your search criteria
