يروم هذا البحث مقاربة ظاهرة توظيف الموروث في تجربة عز الدين
المناصرة الشعرية، و بيان دورها في خدمة تلك التجربة، و إضاءة جوانبها من
الناحيتين النظرية و التطبيقية. ففي الناحية الأولى تُبين مفهوم الرمز التراثي، و كيفية توظيفه في النص الشعري. و في الناحية الثانية تتوقف عند عدد من الرموز التراثية التي كان لها حضور واضح في شعره، و وظف بطريقة تجمع بين الماضي و الحاضر جمعاً جديداً كالرمز الديني و الأدبي و التاريخي و الشعبي و الأسطوري.
This paper seeks to clarify the employment of heritage in Izz al Din
Al Manasrah's poetic experience and its role in the service of this poetic
experience in both its theoretical and practical aspects. Theoretically, he
dwells on the poetic phenomenon, and its application in the poetic text.
Practically he dwells on a number of heritage Symbols which were
clearly illuminated in his poetry , and which were employed in a way that
newly combines between the past and present such as the religious,
literary ,historical , folkloric and legendary symbol.
References used
أحمد، محمد فتوح: الرمز والرمزية في الشعر المعاصر. ط 3، دار المعارف، القاهرة، 1984.
إسماعيل، عز الدين: الشعر العربي المعاصر: قضاياه وظواهره الفنية والمعنوية. دار الثقافة، بيروت، 1972.
التطاوي، عبد الله: المعارضات الشعرية: أنماط وتجارب. دار قباء، القاهرة، 1998.
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