شكّلت حركة الصّعاليك الشّعرية أول حركة تمرد في تاريخ الشّعر العربي؛إذ شقّ هؤلاء الصّعاليك، و من بينهم الشّنفرى، عصا الطّاعة، و خرجوا على العرف الشّعري الجاهلي، متمردين، مغيرين، ثائرين، ساعين إلى التّقويم و قهر الاغتراب، و تمرّد الشّنفرى ما هو إلاّ تعبير عن خلجات النّفس الرّافضة الظّلم، و الرّاغبة في الانتقام.
إنّه تمرّد مازجه اعتداد بالذّات الإنسانيّة و المتصارعة مع المجتمع، المتنازعة معه؛ لإثبات الوجود، و تجربة الشّنفرى تجربة فريدة تتّصل بموقف التمرد و الاغتراب، ذلك الموقف الذي يمثل واحداً من المواقف الإنسانيّة الأساسيّة في مواجهة الوجود و المجتمع.
The poetic rebels movement was the first rebellious movement in the history of the Arab poetry، when those rebels declared their disobedience and denied the jahili poetic tradition، revolting، assaulting، addicting to adjust things and defeat the alienation. And the rebellion Shanfara made was not but an expression of self impulses، which refused the injustice and tended to revenge from injustice. It is a rebellion mixed with human self-assertion، contesting with society to confirm one's own existence. And the experience of Shanfara is a unique one with relevance to alienation and rebellion attitude، an attitude that presents one of basic human ones against society.
References used
الأصفهاني, أبو الفرج, علي بن الحسين, الأغاني, تحقيق: عبد الستار أحمد فراج, دار الثقافة, بيروت, لبنان, المجلد\1960, 21.
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