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Register a new userApologizing in Andalusian and Moroccan orose-Almoravid and Almohads periods
الاعتذار في النثر الأندلسي والمغربي عصري المرابطين والموحدين
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Damascus University أطروحة دكتوراه
Publication date
2018
fields
Arabic
and research's language is
العربية
Created by
Shamra Editor
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يثير هذا البحث الذي يحمل عنوان ( الاعتذار في النثر الأندلسي والمغربي - عصري المرابطين والموحدين ) بالنظر إلى نصوصه والمرحلة الزمنية التي كتبت فيها أسئلة عدة كذلك فإن الحالة النفسية للأدباء المعتذرين التي فرضت نفسها على هذه النصوص تستعدي التنقيب بين ثنايا الكلمات لذلك سنسعى إلى مقاربة هذا البحث من خلال أمور عدة.
Reading through this research which titled ( Apologizing in Andalusian and Moroccan Prose - Almoravid and Almohads Periods ) and the authors' psychological status which is folded in between their words , induces several issues , nevertheless, the time period upon which these texts have been written.
References used
امرؤ القيس - الديوان , تح: محمد أبو الفضل - دار المعارف - مصر 1958
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The Andalusian prose has a history of greatness , and quality in
which it is written .
This research comes to prove the admiration of the Andalusian
ى writers of the Oriental heritage in general , and poetry in particular,
despite their different
ideological and literary attitudes , by
revealing the manifestations of poetic heritage in the Andalusian
prose , and highlighting the most prominent poets influenced by the
writers of Andalusia , and took from their poetic texts to meet their
literary needs .
الشعر القصصي قصة تقدم شعراً أي ينسج فيه الشاعر قصيدته على المنوال القصصي إذ يتوافر فيها من العناصر الفنية الأساسية ما للقصة النثرية من حوادث وشخوص وسرد وحوار وبيئة زمانية ومكانية
The story is a beautiful piece of art and it has many kinds in the
ancient Arabic literature. the research studies the different kinds of
narrative story in Andalusian literature.
The Maqamat art grew up and its limits settled down at Al Badeea Maqamat limits(398 AH), and Al Hariri (516 AH). No one contested that. Thus, their methods represented rules and concept which the Andalusian followed. And their imitation became creati
on and the manufactured imitation increased suggesting the following of the patterns which were themselves an evidence of superiority. Researchers, almost, haven’t got one opinion about the nature of the narration in the Maqamat and its artistic value. Some of them refused it completely: others confirmed it permanently. We notice that the judgement of the opposers and the confirmers tended to generalization. The Maqama is a literary genre which has its own artistic qualities even though its limits interacted with other literary arts. The essay has its importance because it aims at conceiving the Andalusian Maqama limit, and the narrative elements in it, depending on inducting some of the Andalusian Maqama describing and analyzing it.
This research depends on one main idea: it is the influence of
oriental Arab literature on Andalusi Literature. This idea has been shown
with an Arabic poet Ibn Khafaja, who seems very influenced by Arabic
poems in the East (Iraq & Cham).
It seem
s that this poet declared that he followed specified steps of
other poets, sometimes he was influenced indirectly, and that is what this
research is going to clear.
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