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The Poetics Of Printing Space And The Title In "Sayyaf Al Zohoor" Text For Muhammad Al Maghoot

شعريَّة الفضاء الطباعيِّ و العنوان في نص "سيَّاف الزهور" لمحمد الماغوط

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 Publication date 2018
and research's language is العربية
 Created by Shamra Editor




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References used
ابن منظور. لسان العرب. دار صادر, بيروت, (د.ت).
تودوروف, تزفيتان. الشعرية. تر: شكري المبخوت, الدار البيضاء, (د.ت).
السيد, علاء الدين. ظواهر فنية في لغة الشعر. اتحاد الكتاب العرب, 1996 .
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Woman has received a great importance since the dawn of history; therefore, she reached in ancient civilizations the status of sanctity and divinity, she moved from a specific denotation to another throughout the march of Arabic poetry until she r eached the image of the independent woman in the Arabic Renaissance, and afterwards she turned into a symbol, a dream in contemporary Arabic poetry. Various are the images of women in Muhammad Al-Maghout's poetry, prominent of which are perhaps: woman as a beloved, as a harlot, a mother, a wife, a daughter and a symbol-dream, thus proceeding from describing woman sensually to metaphorically, depending upon several techniques such as the paradox, surprise and flashback and others. Behind these there is a personality characterized by suffering alienation and lack of emotional self-fulfillment, and we find that woman in his eyes is not a mere beauty, but someone who makes the four directions one, namely, woman is love, leniency, a warm haven and liberty.
This textual study aims at revealing the effectiveness of argumentation in structuring the poetic text. The study discusses two basic dimensions in this regard: first, the theoretical dimension that will identify the concept of argumentation in Ar istotle's poetics, Arabic lexicon and the traditional Arabic Rhetorical discourse. This dimension will also discuss the different views given by argumentation scholars in modern poetics. Finally, it will describe the relationship between argumentation and culture, especially in cultural studies. The second dimension is the practical one in which Al – Ra'i Al- Numairi's (Daliah) will be taken as a model because of being a political text. This text is made up of four paratexts: distance and discrepancies of events, the extra-ordinary adventure and the consequences of the unknown the revolutionary self and the worrying nighttime, and the blaming female and the rebellions male. All these paratexts together provide clues about argumentative writing that clarifies the confusion in the relationship between Al – Ra'i Al - Numairi who represents the oppressed and the Ommayad authority represented by the caliph Abdul Malik Bin Marwan.
This study tries to show the importance of the story title and its significance in children's stories. It displays the sense of the subject and point to the resources of titles of the children's stories, through critical studying of groups of children's stories in the Arab world.
Natural language often exhibits inherent hierarchical structure ingrained with complex syntax and semantics. However, most state-of-the-art deep generative models learn embeddings only in Euclidean vector space, without accounting for this structural property of language. In this paper, we investigate text generation in a hyperbolic latent space to learn continuous hierarchical representations. An Adversarial Poincare Variational Autoencoder (APo-VAE) is presented, where both the prior and variational posterior of latent variables are defined over a Poincare ball via wrapped normal distributions. By adopting the primal-dual formulation of Kullback-Leibler divergence, an adversarial learning procedure is introduced to empower robust model training. Extensive experiments in language modeling, unaligned style transfer, and dialog-response generation demonstrate the effectiveness of the proposed APo-VAE model over VAEs in Euclidean latent space, thanks to its superb capabilities in capturing latent language hierarchies in hyperbolic space.
This research is composed of two parts: The first is theoretical and separates the saying from the subjectification idiom with its considerable presence in criticism surrounding the immigration space. It also explains the marks and impressions whic h make difference between it and the factual and artistic space. The second one is applicable. It takes to pieces the image of Cairo Al Muiz in the journey of Al Abdari, considered as subjectified image and also observes its subjectification move and the effective elements in it. Its most significant result is that the immigration space has its own distinguished character as a subjectified space that lies in moderate position between the factual and artistic space, and expresses the age of journey, its culture, situations, emotions and also effect of space and period in it. Cairo in Al Abdari text which has lost both its historical sacred distance and has changed into a dismissing frightening space that it explained Al Abdari age, its believing ideal and national enthusiasm, its desolation and estrangement of the civilian form and its intimate tie to the space of the ego=mother space=his village Haha.
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