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Dante’s Renaissance Dramatization of Women Characters in The Divine Comedy

التصوير المسرحي للشخصيات النسوية في الكوميديا الإلهية لدانتي في عصر النهضة

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 Publication date 2016
  fields English
and research's language is العربية
 Created by Shamra Editor




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Writers, in general, characterized women through different images. The dominated image in such writings is lustfulness. Dante uses this image to present three Oriental women: Semiramis, Cleopatra and Dido.


Artificial intelligence review:
Research summary
تتناول هذه الدراسة تصوير دانتي للشخصيات النسوية في الكوميديا الإلهية، حيث يركز على ثلاث شخصيات نسوية من الشرق: سميراميس، كليوباترا، وديدو. يصور دانتي هؤلاء النساء على أنهن شهوانيات وغير قادرات على التحكم في رغباتهن الجنسية. يضع دانتي هؤلاء الشخصيات في الدائرة الثانية من الجحيم، وهي مخصصة للخطاة الشهوانيين. يصف دانتي سميراميس بأنها جعلت الشهوانية شرعية في بلادها، وكليوباترا بأنها تسيطر عليها الغريزة، وديدو بأنها محكومة بالشهوة والخيانة الزوجية. تعكس هذه الصور النمطية للنساء الشرقيات في الأدب الغربي، حيث يتم تصويرهن على أنهن شهوانيات وغير أخلاقيات. يهدف دانتي من خلال هذا التصوير إلى تقديم الشرق كمنطقة تسيطر عليها العواطف والشهوات، مما يعزز الفكرة الاستشراقية التي تربط بين الشرق والجنس.
Critical review
دراسة نقدية: من المهم أن نلاحظ أن تصوير دانتي للنساء الشرقيات في الكوميديا الإلهية يعكس تحيزات ثقافية واستشراقية كانت شائعة في الأدب الغربي في ذلك الوقت. يعتمد دانتي على صور نمطية سلبية للنساء الشرقيات، مما يساهم في تعزيز الفجوة الثقافية بين الشرق والغرب. على الرغم من أن دانتي يقدم تصويرًا دراميًا قويًا، إلا أنه يفشل في تقديم صورة متوازنة أو دقيقة للنساء الشرقيات. بدلاً من ذلك، يعتمد على تصورات مسبقة وأحكام عامة تعكس تحيزاته الثقافية. من الجدير بالذكر أن العديد من الكتاب الغربيين الآخرين قدموا صورًا أكثر تعقيدًا وتنوعًا للنساء الشرقيات، مما يشير إلى أن تصوير دانتي ليس الوحيد أو النهائي في هذا السياق.
Questions related to the research
  1. ما هي الشخصيات النسوية الشرقية التي تناولها دانتي في الكوميديا الإلهية؟

    تناول دانتي ثلاث شخصيات نسوية شرقية في الكوميديا الإلهية: سميراميس، كليوباترا، وديدو.

  2. كيف يصور دانتي سميراميس في الكوميديا الإلهية؟

    يصور دانتي سميراميس على أنها جعلت الشهوانية شرعية في بلادها وأنها غير قادرة على التحكم في رغباتها الجنسية.

  3. ما هي الدائرة التي وضع فيها دانتي الشخصيات النسوية الشهوانية في الجحيم؟

    وضع دانتي الشخصيات النسوية الشهوانية في الدائرة الثانية من الجحيم.

  4. كيف يعكس تصوير دانتي للنساء الشرقيات التحيزات الثقافية والاستشراقية؟

    يعتمد دانتي على صور نمطية سلبية للنساء الشرقيات، مما يعزز الفكرة الاستشراقية التي تربط بين الشرق والجنس ويعكس تحيزاته الثقافية.


References used
Alighieri, Dante. Divine Comedy: Inferno. Trans. Dorothy Sayers and Barbara Reynolds. London: Penguin, 1962
Divine Comedy: Paradise. Trans. Dorothy Sayers and Barbara Reynolds. London: Penguin 1962
Bahrani, Zainab. Women of Babylon: Gender and Representation in Mesopotamia. London: Routledge, 2001
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