The theory - the opinion of a lot of thinkers contemporary - important theories
philosophical, social and which established to enter the era of modernity and beyond, may
be a cash German philosopher Kant cornerstone in Renaissance European accordin
g to this
theory, so try this search with a stamp philosophical and social that highlights the origin of
the emergence of these critical theory since the beginning the first to Renaissance, as he
tries to that keeps track of their development historical and philosophical and social
conditions, political and the surrounding, and what is the position of some of the
philosophers of these critical theory. However, the question, which can ask here, is a form
of the following: is the critical theory in turn, social, political and in the community, and
do have contributed to change the desired which seeks to in the community. The basis of
this question it should we have to trace the process of its development historical, and to
identify the most important views of the philosophers, which they told them.
Writers, in general, characterized women through different
images. The dominated image in such writings is lustfulness. Dante
uses this image to present three Oriental women: Semiramis,
Cleopatra and Dido.
This paper aims at studying the narrative functions of the stack
Chorus in selected English Renaissance plays: Christopher
Marlowe's Dr. Faustus, Thomas Kyd's The Spanish Tragedy, Ben
Jonson's Volpone. This study offers a close reading of the spee
ches
delivered by the Chorus, and shows their narration of the events and
their moral commentaries. This emphasizes their didactic
significance because they sum up the events, interpret the vague
ones and endorse the play's desired message . this paper concludes
that Jonson develops the stock Chorus by having recourse to other
characters who perform this communicative and didactic role. Here
lies Jonson's contribution to this conventional figure.
