Do you want to publish a course? Click here

Philosophic Presence in Modern Arab Thought

الحضور الفلسفي في الفكر العربي الحديث

1184   2   46   0 ( 0 )
 Publication date 2007
and research's language is العربية
 Created by Shamra Editor




Ask ChatGPT about the research

We can not understand the nature of philosophical Presence in the modern Arab thought in isolation from the historical conditions that framed it, that was represented in the imperialistic phenomenon with it's historical and intellectual needs, besides the constancy of failed economic and social conditions Arab conditions, and the domination of the theological vision as a directed and specific vision for thoughtful dealing with nature and history.

References used
Kai ,Nielsen, " For Impurity in Philosophy " Canadian Journal of Humanities (1974), PP. 121-131
Ludwig Wittgenstein, Tractatus Logigo-Philosophigus (London: Propositions, 1932), pp. 53-54
Max Horkheimer, The Social Function Of Philosophy, vol0 3 (1972), p0120
rate research

Read More

Being a hybrid, hyphenated literature, Arab-American Literature, which attempts to articulate the identity of its producer, exhibits wide ranging references to its Arabic and Islamic background. Surveying a vast corpus of Arab-American writings, t he present paper demonstrates the overwhelming presence of Arabic and Islamic culture in such writings, discussing its various textual forms and, thus, confirming the Arabic component of Arab-American identity.
to know the science of westernism whose features appeared in contemporary Arab thought by the thinker Hassen Hanafi, and contribution in its development via identifying its features first; "and to criticize it Second." is today considered to be a must, but rather urgent "to avoid having fallen in the limit of an Arab civilized identity which is convulsive and rejecting the other through a predetermined judgment and a textual thought which is undebatable and not less difficult than the undebntability and darkness of the fundament alist salafi mind that forbids diligence, rationality and development. The research deals with the needs to form the science of westernism as per the arab ego to be pure and free from western colonial cultural orientalism indirectly, being far from reaction as centeralized on the axis of self-arrogance towards uprising arab scientific thought whose concern is to keep abreast of the world and go into history with keeping up the ego safe and secure, through analyzing the phenomenon of western superiority and detecting the keys of power and its reasons to find why we are fused in the western civilization. This is to stop being fascinated excessively by that, to get rid of that or to lessen the duality of south and north or arabs and the western to get to a state of international participation in making the pillars of civilization, and to stop being annexed to the west and taking with no return. Not doing that, the picture of the arab and the muslim will not be corrected for themselves first and for the world second. Thus, this research is an attempt to focus on the leading role of arabs and muslims to have a thought mechanism, not pragmatic but scientific to keep abreast of history force with no clash or being annexed, so it should be noted that orientalism is a thought that stands on the opposite bank of the westernized thought . today, the west is especially fully ready to get any Arabic text to criticize it, including America, and to criticize its racism in order to be considered as serving their centrality in an attempt to make arab drain purchased especially those who think of the arab Islamic identity to have them work for their mythodology because this colonialism is not pure coincidence, but it is based on hardworking pursuit in avery tireless way.
This research sheds light on a cultural problem, the contemporary researchers consider as one of the most important problems that contributed to the disintegration of cultural and cognitvevariation in our Arab society that revolves around identifying the cultural identity of this community through the relationship between the old cultural heritage of our society with the contemporary cultural heritage. For this reason, we tried very hard to observe the importance of Arab cultural heritage for the Arab intellectuals who raised the banner of the Islamic Arab Renaissance. They point out, in this context, divergent positions of these thinkers of the heritage among Salafi stream strongly advocates adherence to heritage and benefit from it, the contemporary stream calls to go about European modern thinking and go away from the heritage, and the third stream calls for taking cultural and cognitive aspects of the right of the Salafi and contemporary currents -that is, between tradition and modernity with reference to the most important factors that contributed to the failure of the Arab cultural renaissance project.
Using modern irrigation started as individual initiatives, then the government supported the introduction of these techniques through the national programme for transferring to modern irrigation that started late 2000. This programme set up to conv ert all irrigated area, where possible, from traditional methods to modern irrigation systems during 10 years period. The government has issued several decisions for facilitating transfer process and ironing out the financial and administrative constraints facing the implementation of this programme.
This paper aims at analyzing and studying the phenomenon of melancholy (sadness) in modern Arabic poetry since it is a feature that, unlike in ancient Arabic poetry, we can come across in most modern poetic writings. The paper distinguishes between the sadness of an ordinary man and that of a creative writer who shows a special sensitivity and can turn his sadness into something creative and can express it in his writings. In this study, the researcher refers to the most eminent critical points of view that dealt with the phenomenon of melancholy in modern Arabic poetry. For example, Dr. Ezzuddeen Ismail’s philosophy and opinion in this respect are referred to especially that he links and compares between Arab poets and their European counterparts concerning the subject of expressing sadness in their poetry. Likewise, Dr. Ismail refers to the affinity between sadness in Arabic poetry and some prose writings that became known in the Arab culture due to the connection with the Western culture. The paper discusses these points of view and concludes, through analysis of poetic examples, that there are two reasons for expressing sadness in poetry: First, personal reasons that the poet has due to an illness, a poverty, or expatriation. Second, national reasons that have to do with the status and condition of the Arab Nation in modern times especially the political, social, and economic trouble and crises.
comments
Fetching comments Fetching comments
mircosoft-partner

هل ترغب بارسال اشعارات عن اخر التحديثات في شمرا-اكاديميا