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Register a new userModernity Contentious between Rooting and Innovation in the Arab Culture for Taha Abdul-Rahman
جدل الحداثة بين التأصيل و التجديد في الثقافة العربية عند طه عبد الرحمن
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حاولت هذه الدراسة البحث في موقف طه عبد الرحمن، من الفكر العربي المعاصر، من حيث الكشف عن مدى تطبيق و جديَّة مفهوم الحداثة فيه، فالحداثة في الثقافة العربية تتنازعها عدة اتجاهات فكرية مختلفة في رؤاها، و لما كان التراث يمثل الأصالة، فإن كيفية المحافظة عليها من أولويات البحث في الحداثة. إلاَّ أن طه عبد الرحمن يرفض مقولات الحداثة الغربية و يعتبرها آفة على الفكر العربي و تراثه، مما دفع به إلى بناء مشروع فكري أساسه الإبداع داخل الثقافة العربية الإسلامية، منطلقاً من فكرة المجال التداولي العربي، ليصل إلى نتائج و تعميمات مفادها أن الحداثة لا تقوم إلا من خلال تأصيل الجانب الفقهي في الثقافة العربية. و يظهِر البحث في هذا السياق أنه لا يمكن قبول هذه النتائج و التعميمات، نظراً لأن طه عبد الرحمن قد استند إلى مجال ضيق شمل به كل التراث العربي، و نظر إلى في الثقافة العربية على أنها ثقافة مقلِّدة الأمر الذي يفرغها من أي هُويَّة فكرية و حضارية عبر تاريخها الطويل.
This study tried to examine Taha Abdul-Rahman’s position towards thecontemporary Arab Thought in terms of detecting the extent of seriousness of the application of the modernity concept. Modernity in the Arab culture was stuck between several different ideological trends since the heritage of originality representsmaintaining of priorities for research in modernity. However, Taha Abdul-Rahman refuses arguments of Western modernityas a lesion to the Arab Thought and heritage, prompting him to build an intellectual project based on innovation within the Arab-Islamic culture. The starting point was the idea of the Arab deliberative field. To hit conclusions, suchresults and generalizations cannot be reliable since it only included rooting idiosyncratic side of the Arab culture. The research shows within this context that itcannot accept these results and generalizations because Taha Abdul-Rahman based on the primitive field which did not cover allthe areas of the Arabic heritage.
References used
عبد الرحمن، طه. العمل الديني وتجديد العقل. ط (ثانية)، بيروت: المركز الثقافي العربي، 1997
عبد الرحمن، طه. روح الحداثة. ط (أولى)، بيروت: المركز الثقافي العربي، 2006
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The Arab Literary Heritage Is An Inexhaustible Source Inspiring A Great Deal Of
Intellectual And Creative Facts Which Enrich The Ear Innovation. Thus, Dr. Abdul-
Rahman Al-Basha Is One Of The Arab Intellectual Who Took A Look At The Arab
Heritage
And Assimilated It, Adding Intellectual, Critical And Literary Visions That
Contributed To The Enrichment Of The Arab Library With The Importance Of This
Heritage And What Originality It Has, Which Makes The Arabic Literature Grow Firm
Roots. The Various Studies Weren,T Also Restricted To Clarifying The Heritage
Importance, But They Came To Remove What Got Stuck In The Mind, Clearing Them Of
Obstacles And Accusations With The Arab Thought Was Charged To Show The Ability
Of Arab Writers And Intellectuals, And Dr. Abdul-Rahman Al-Basha Is On Of Them-
Defending The Nation,S Creativity And Thinking Whether In Poetry Or In Thought In A
Way That Serves The Intellectual And Cultural Development Of The Arab Nation
Throughout History.
The presence of place in Abdul-Rahman Munif's Narratives is one of the principal
characteristics of the modern Arabic Novel. We do not exaggerate to claim that the place
has changed into a central character in his prosaic works, because it represen
ts the
primordial space to all prosaic components, and it stands as the cradle of all human
existence, since it enjoys the possibility of transformation and summarizing concepts.
Part of the problem that this piece of research endeavours to disclose depends on
explaining the magnificent turbulances of place as a result of the human conduct which
does not consider the ethical and human issues quite remarkably since it aims at achieving
its totalitarian and materialistic interests at every cost.
The great shifts of place in the novel Cities of Salt emerge as the outcome of the
destructive human behaviour toward the virgin nature (intrinsically and extrinsically),
where Munif concurrently struggles to uncover the underlying psychological, sociological,
political and economic consequences that the human being of the Arab Peninsula has been
exposed to. At the same time, we conclude that the place has also left observable impacts
on mankind; henceforward, man starts complaining from alienation, disorientation and loss
of identity owing to the grand shifts manifested by the place
The study was built on pursuing opinions of some
contemporary researchers , then samples of the old critics' attitudes were
displayed , it is two parts . The first part included two different trends of
texts one of them is that on which the contem
porary researchers have
relied in an attempt to prove the old critics were fanatic and the other
displayed several criticism texts of each old critic showing their positive
critical attitudes towards the innovated poetry. The second part includes
critical texts representing the critics' opinions from the end of the second
century of Hegira until termination the dealing with the innovation in the
Abbaside poetry issue.
This research paper deals with some of the aspects of creativity and
innovation in this poet "AL-Buhturi", and their impact on deviation
in the text. The deviation considered here is on that has to do with
themes rather than language or rhetoric.
We have depended on the main feature of deviation; that was
attributed to him regarding all studies that tackled it, namely,
surprise and violation of what is common. Therefore, we have
concluded that surprise has mad the themes an important field of
deviation.
- Resrearch aim at defining the concept of Drama and its progress
through ages in both Greek and Roman theatre and distinguishing
between dramatic,tragic work and dramatic,affective work
- it also aims at revealing the relationship which binds Dra
ma and
Poetry , and how Drama interfere with poetry
- and it aims at differentiating between epic and dramatic poetry ,
and it observes the interacting movement of Drama into old Arabic
Poetry and then into modern Arabic Poetry.
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