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The impact of the book " Kalela and Demna " by Ibn almkafaa in the book "Animal" by Aljahez

أثر كتاب " كليلة و دمنة" لابن المقفع في كتاب" الحيوان" للجاحظ

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 Publication date 2014
and research's language is العربية
 Created by Shamra Editor




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This research studies the affected bigeye in his book "Animal tales of Kalela and Demna to Ibn almkafaa, and includes a basic idea represented in the evolution of shear on the tongues of animals that were started Ibn al, Vagaah superstitious that carry meaningful socially or morally, educationally, evolved when bigeye to establish a pattern of thinking about the legendary manifested in the book animal, stood on his hand a new phase of coding, as it tried to bigeye establishment thought mythical, lies the importance of the subject in the study, an important aspect in fiction Kharafi founded by Ibn al, and employed the techniques of narrative several, realized the value of Fozvha in new formats and templates art serves its goals and purposes, and the book is Kalela and Demna of the most important heritage books, lies its value in being a book literary education, he meets the art of politics and power, literature, social education, and carries significant moral and socially, and sermons and sentenced humanitarian suitable for every time and place, and has had a significant impact on the Arabic literature narrative that came after him, and every point in time was to take the form of vulnerability to the book, either tradition and simulation and either systems and synthesizes, or Building for new patterns are used mostly technical framework used by Ibn al in anecdotes, and employs techniques book narrative which he was credited in substantiated to be branded echo guided by who came after him.

References used
ابن المقفع, عبد الله: كليلة و دمنة, تح عبد الوهاب عزام, تقديم طه حسين, دار المعارف, (د.ت).
الأحمد: حسن: أدبية النص السردي عند أبي حيان التوحيدي, دار التلوين, دمشق حلبوني. 2010
الجاحظ: كتاب الحيوان, تحقيق عبد السلام هارون, دار إحياء التراث العربي, المجمع العلمي العربي الإسلامي منشورات محمد الداية ط3 1969
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المنطق والبراهين العمليات المنطقية الأساسية الفرضيات المركبة التكافؤ الفرضي العبارات الشرطية تطبيق المنطق الفرضي الاسناديات والمكملات مدخل إلى البراهين البرهان المباشر البرهان بالنفي البرهان باستخدام نفض الفرض البرهان الشامل والبرهان بالحا لات الاستقراء الرياضي الجبر البولاني خصائص الجبر البولاني التوابع البوليانية تمثيل التوابع البوليانية البوابات المنطقية الرقمية حساب الأعداد الصحيصة والتشفير قابلية القسمة على z القاسم المشترك الأعظم خوارزمية اقليدس خواص القاسم المشترك الأعظم الأعداد الأولية فيما بينها مبرهنة بيزو المضاعف المشترك الأصغر الأعداد الأولية حل الموافقات الموافقات الخطية مبرهنة الباقي الصيني مبرهنة فيرما
This research is composed of two parts: The first is theoretical and applicational. The theoretical section clarified both The fantastic and dignified terms. It elaborates saying in "The fantastic of dignified journey" described fantastic especiall y for representing features of the fantastic. Moreover it adds to what corresponds to the dignity nature. On the other hand the applicational section analyses texts of the dignified journeies in altasawof. It also reveals several important results of this section like expanding time frequency of the dignified journey, the changeable criterion based in texts in judging texts according to the tribal receiver of dignity. Furthermore, there appeared a lot of topics like "subjects of I", with absence of "subjects of You" ones. Another thing resulted there the vanishing of literary mission in the condensed dignified journeies through news or a statement. At last, there appeared two new functions for fantastic teaching and cognitive, in addition to the main tasks of the fantastic: literary and the socialistic ones.
This study aims through dealing with Al- Jahez's rhetorical style, to assure the originality of many principals of the style science in our rhetorical and critical heritage, so this research starts the study from a hypothesis that is the style is c onsidered equal and not a substitute or an inheritor of the ancient Arab rhetorical. It was necessary for the sake of the research to divide the study into two sections: the first one discuss the bases which must be offered in the literary styles to reach the rhetoric feature, and these bases are: The rightness grammatical, the commitment of the aesthetic criterions which are customary for the Arabs. the second section is represented by studying the ways which through them there is a presentation of the meanings in a rhetorical styles. The research ends to that the artistic picture with all its different arts is considered the best way to present the literary styles, because it marks the text by the artistic beauty which affects the audience sense and their aesthetic faculties, and that is what leads to succeed the aimed linguistic communication.
This research highlights the most recognizable basics of Sibaweih's methodology in his book. Altogether, they are not different from the modern descriptive approach. Sibaweih appears in the first Arabic Linguistics Encyclopaedia, in a way that presen ts the righteousness of his pioneering methodology, as is apparent in the three linguistic levels of: Phonology, Morphology and Syntax. We have traced the method he followed to treat the linguistic phenomena, which in all its forms constitute a constellation of semantic and intellectual operations based on all aspects of this phenomenon, next to the realistic principles that he relied on to achieve his goal. Themselves are the principles that gained circulation in the West later on; as follows: listening; language and speech; spoken and written language; unity of time and place; induction; and categorization.
This paper traced what Abu Hayan quoted from Hisham. He quoted his opinions and cited them in his books. He depended on them in his explanations and conclusions, and this is a positive quality as this is what students do to preserve their teachers’s and nation’s heritage.
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