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Register a new userThe sensory Preceptives of Andalosy poetic description of yellow- pattern
المدركات الحسيّة في الوصف الشعري الأندلسي الأصفر أنموذجاً
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Aِl-Baath University ورقة بحثية
Publication date
2014
fields
Literature
and research's language is
العربية
Authors
هلا العلي( باحث )
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Shamra Editor
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ظهرت المدركات الحسية ذات الدلالة غير المباشرة للون الأصفر في أشعار الأندلسيين عفو الخاطر ، فشكّلت لوحةً فنيةَ جماليةً عبّرت عن حال شعوريةٍ معيّنة ، و أسهمت في تشكيل صورٍ و أشكال، عبّر الشعراء من خلالها عن مشاعرى ، و أدّت دورًا مهماً في استمالة المتلقّي إلى المواقف التي عاشها الشاعر الأندلسي ، و أعطى من خلالها صورةً فنيةً ملموسةً قادرةً على تحقيق استجابة ذات دلالة تعبيرية رمزية ، من خلال المزاوجة بين الحسي و المعنوي في الوصول إلى صورة شعرية ذات تجسيد جماليّ متميّز. و قد أدّت الطبيعة الاندلسية ، و الحضارة المتأنقة ، دورًا في أغناء رؤى الشاعر الفنية ،فجاءت الأوصال الممتزجة بالأصباغ و الألوان معبرةً عن الذّائقة الجمالية التي كانت سائدةً في الأندلس.
The sensitive recognitions which refer indirectly to the yollow colour was appeared in the poems of indolesan,as a result it formed a beauiful art picture which described a particular emotional state.also it played a role in forming images and forms and it described the emotions of the indolesan poets and played a very important role in catching the reciever attention to the attitudes which the indolesan poet lived in and through it he gave an abstract art image which was able to achieve a response which has an expression and symbolic reference.
References used
الأسس الجمالية في النقد العربي ، عرض و تفسير و مقارنة : عز الدين اسماعيل ، دار الفكر العربي ، 1955 م .
الإضاءة المسرحية : شكري عبد الوهاب ، الييئة المصرية العامة للكتاب - القاهرة ، 1985 م.
الألوان نظرياً و عملياً : ابراهيم دملخي ، حلب - مطبعة أوفست الكندي ، 1983 م.
ديوان أحمد بن أبي القسم الخلوف الأندلسي : السليمية - بيروت ، 1873 م.
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