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Register a new userSYMBOL IN THE CNSCIOUNESS CURRENT STORIES ANEESA ABBOUD AND GHADA ALSAMMAN
الرمز في قصص "تيار الوعي" عند أنيسة عبوّد و غادة السّمان
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تعدد أشكل الرموز في قصة تيار الوعي و تكرارها يشكل أهم الأهداف التي يسعى البحث من خلالها إلى مواكبة حركة الأفكار, وجلبتها داخل الذهن البشري.
The plurality of symbols forms in consciousness current story and their repetition form the most important goals that the research seek through to keep up with thoughts movement and their pandemonium deep inside the human mind
References used
Al-Samman, Ghadah, 1975 - Layal Al Ghuraba, t3, Dar Al Adab, Beirut, s.167
Al-Samman, Ghadah, 1994 - Al Qamar Al Murabah, t1 , Ghadah Al-Samman publications, Beirut, s. 218
Abbūd, Anisah, 1996 - Ghasaq Alakasya, Arab Writers Union, Damascus, s. 198
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The presence of place had a distinctive position in the stream of consciousness that
made it able to show and rise the humanbeing's problems precisely and frankly from many
different views. Probably. The most important problem is making the emotion
al
relationship eminent and this what relates the human being to the place and the effect of
that on turning the relation of the human being with the place into a mutual one that made
the perception of the place nourish the emotion and vice versa and within this concept,
that mutual relationship has uncovered the depth of the gap between two worlds which
neither of them belongs to the other and they are the inner world and the outer one clearing
the self-crisis in its searching for domestic place or in its wish to escape from frightful
place to a safer one and because the awareness has no limits in the pre-speaking levels, the
confused human thoughts and intelligence have accompanied his constant searching for the
place and his dream in achieving his belonging goal.
This paper consists of the following elements:
A - Introduction: includes an overview of symbolism, and the most important patrons, and common goals
among them.
B - The symbol and symbolism in Western culture: the researcher reviews the multiple p
erspectives in the
definition of the symbol and its uses, and provides a definition of the code as mentioned in some
dictionaries and encyclopedias as well as to the point of view of some philosophers.
C - The objectives of symbolism: It is beyond reality and the achievement of other hidden meanings in
addition to their quest for the convergence of art with other cultural activities, literary, musical, scientific
and philosophical.
D - Symbolism in plastic art: the researcher shows the history of its inception, its currents and the most
important artists who have used the symbol and did not belong to it. In addition, it shows the artists who
have paved the way for it. Finally it describes artists who influenced this concept and developed it.
This research tackles the phenomenon of dialogue in Alhothaliyen
stories presenting reasons for studying it, then it defines a dialogue linguistically and idiomatically.It also highlights its purpose, its relationship to the pillars of the creative
process, and methods in the old rhetorical Arab heritage and modern criticism.
The body of this research is an applied study of the types of
dialogue in lamentation, flirtation and blame stories, and methods
of composing poetry such as (command and negation,
interrogation, question and answer.
The research concludes that the methods for composing a dialogue (switching, conditional, and compositional styles) added a poetic feature to the text and a realistic dimension to the event, and revealed the poet's emotions and his psychological approach toward the event.
Surrender to the actions/deeds of time is one of the most prominent targets revealed by lamentation and flirtation in a dialogue, as there is no point in blaming time
The contemporary interest has increased with the titles, so that some researchers
considered the titles as mini texts which contribute in forming a primary opinion that
motivate the reader and guide him to some meaning that the authors referring to
, and other
researchers considered the titles just a hypothesis for reading, not prejudice, because it
might lead the reader towards the meaning directly, and it might deceive and mislead him
as well, which make the creative texts poetically bigger and richer, and in both cases the
title remains the first textual episode that the reader’s awareness meet with the creative
text, regardless the type of the titles: realistic, equivocation, symbolism and others.
My choice has fallen into this research because of the variety that Ghassan Wannous
text stories’ have shown, which indicates the awareness of the writer about the importance
of the titles, and the role it might perform in serving the textual meaning, and this is what
this research aspires to approach and highlights.
This research aims to study the effect of rotation speed and armature
current density or load current of micro dc motors on the commutation
current, especially on the final phase where electrical spark occurs on the
motor collector. A relationship
of how electrical spark time and density or
energy is related to rotation speed and armature current density, will be
deduced. This research was supported by special laboratory experiments,
and ended up with useful scientific results.
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