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Register a new userThe Poetic Image of the Almouatamed ben Abbad
الصورة الشعرية عند المعتمد بن عباد
2018
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Authors
حسناء أقدح( باحث )
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يتناول البحث أهمية الصورة، و طرائق دراستها، و أنواع الصورة عند الشاعر من تجسيد و تشخيص للأشياء المحسوسة، و المجردات، و العواطف الإنسانية بصورة إيحائية معبرة، و من رصد لحركة الأجسام المتحركة و الأجسام الثابتة التي لا تملك حركتها إلا في الخيال، و من لون مفرد و مركب، و من تقابل بين أزمنة و حالات متباينة، و من ألفاظ مصورة للانفعالات إما بجرسها الموسيقي، و إما بظلال دلالاتها المختلفة عن الدلالات المعجمية، ليصل التعبير الشعري عند المعتمد إلى أعلى درجات التأثير و الجمال الفني.
The research discusses the importance of poetic image, and its methods of study, and the types of images the poet uses, as reflection, a diagnosis of abstractions, concrete objects, and human emotions in a suggestive expressive way: The study also observes the poet's use of images that observe the dynamics of mobile and static objects that move only in the imagination; of single and compound colors; of correspondences of times; of figurative passions with their musical rhythms, and of significations of lexical meaning of words so that the poetic expression will reach the highest levels of artistic aesthetics. It also discusses and a single, composite color, and correspond between the times, and the varying situations , also words of emotion either catalog music, or cast the various implications of the lexical semantic; then the poetic expression, will reatch to the highest levels of influence and artistic beauty.
References used
ابن الرومي، حياته من شعره، عباس محمود العقاد، مكتبة البابي الحلبي، مصر 1970
الألوان نظريا وعمليا، إبراهيم دملخي، حلب 198
أوهاج الحداثة، نعيم اليافي، منشورات اتحاد الكتاب العرب 1993
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This paper deals with the poetic necessity of Qudamah Ben
Jaafar, he begins by explaining the term necessary, and then he displays the emergence of Arabic grammar and its motives; he also refers to the Arabic criticism which was subjective without
depending on standards, until the beginning of blogging era and
development of science; it has being influenced by other cultures,
particularly Greek philosophy. The most affected person, put
foundations and controls for criticism he was Qudamah Ben Jaafar, who wrote a book called (criticism of poetry) which pointed to the failure of his predecessors who launched judgments on the poetry and limited their attention to the rhyme, strange and meanings, and neglected the difference between good and bad poetry, he put limits to the poetry, and clarified its pillars, and explained the reasons of the good and bad quality of poetry, and judged defects on the poems in which their content are disturbed (pronunciation, weight, rhyme, meaning), and these defects included damages and so on.
This research aims at studying three poems written by Almu’tamed
Bin Abad when he was in a prison. It studies the role of language and
music in building the structure of the poems. Both language and music
reflect an agreement between the form and
the content of these poems. As
a result, a poetic sense of the poems, that Abn Abad written when he was
jailed, can be perceived clearly. These poems were chosen this because
they are different from other content in the other poems which reflect
experiment of poet
Not only poetry has been restricted to men, but also Arab
woman used to taste and write poetry since time immemorial, next
to her interest in prose and narratology comparable to all Arabs at
that Bedouin time—when they were still leading a simple life.
However, names of women have been revealed and broadly
circulated concering handling and criticizing poetry since antiquity.
The study attempts to explore the structure of poetic
image in the free verse of modern poetry which is considered as the main
feature of modernity that lies in the elements of surprise and paradox,
deviation and spacious fantasy which opens up horizons to the recipients
for multiple and open readings.
This research studies the poetic necessity according to the critics who were interested
in poetry, and wrote criticized books chose between poetry and poets , and classified
poetry into section , depending on meaning and pronunciation .
Critics em
phasized the unique nature of poetry ,this uniqueness made the poets
question what was against then rules making apologies for it to keep it accepted .
Critics looked at poetry as another level of expression and approved it with terms and
conditions , such as / shame / judgement and poetry phenomena , such of it according to
necesseties , critics had different views about necessities , some refused it , and described
as ugliness that fades away by words water , while others approved it .
Whatever opinion have the critics about necessities , it is aphenomenon that took
their attention , some wrote whole books , and others chapters .
In most cases , no one called it as mistake , and the lasting effect of poetry that has
necessities keep it approved .
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