Do you want to publish a course? Click here

الإيقاعات الرديفة و الإيقاعات البديلة في الشعر العربي رصد لأحوال التكرار، و تأصيلٌ لعناصر الإيقاع الداخلي

928   0   7   0 ( 0 )
 Publication date 2005
  fields Arabic
and research's language is العربية
 Created by Shamra Editor




Ask ChatGPT about the research

No English abstract

References used
ابن أبي سلمى، زهير: ديوان زهير بن أبي سلمى، دار الكتب المصرية – القاهرة، د.ت.
ابن الوليد، مسلم: ديوان صريع الغواني، د.ن – ليون، 1875
الأعشى: ديوان الأعشى الكبير، شرح محمد محمد حسين، دار النهضة العربية – . بيروت، 1972
rate research

Read More

The rnodern poem is characterized by breaking away from the old molds. It also attempts to sreate models that seek to generate new poetic sentiments. In order to reach that goal the poern follows several techniques and rnechanisms" These technique s attempt to establish a rhythmical structure that rebels against the conventional musical standards and their rigor of meter and rhyme. Moreover, they do not yield to the power of the popular modetrs, and they move to a space where the poet can make use of minute details so as to plan for an interior design that is strongly associated with psychological motives and semantic figures. Both of which will define the focal point of the rhyhmical tension which is compatible with the development of the self and the textual semantic. Therefore, they move towards the interior which develops due to the interaction between the components of the text and its interrelationships. Thus, this paper shall seek to trace the factors and constituents that take part in the formation of the rhythmical structure away from the external component represented by the meter and rhyme scheme. The paper adopts literal repetition as a means to find out about the aspects of the internal rhyhm and its contribution to the construction of the general rhythmical structure of the text as well as its relation with the semantic dimension in order to focus on the relation between rhyhmic semantic and linguistic semantic.
The search contains the identifying of Abu Al-alaa Al-Ma'arry's life, and talking about role of alliteration and counterpoint in achievement of the internal musical rhythm during his poetry. Abu Al-alaa did not adhere in the traditional musical st andards not only what it includes of the strength in the unity of meter and rhyme, but he moves of its traditional course to court which specific details and parts dominate on it for planning to internal architectural engineering, he ladled in the usage of alliteration, which did not appeare in his poetry to achieve the musical rhythm in what independs on it of agreement between things. and also from counter point, he combines between good formula and the benefit of content. Counterpoint did not appeare just for appearance of the opposite, but every opposite had rhetorical art or adorable, or something of wisdom which made the reader feels the agreement and combination between counterpoint and the meaning which it achieves or the rhetorical formula which it contacts.
This research is an analytic study about the aestheticism and impact of Arab calligraphy on architecture and enriching the interior space through intellectual and religious factors and principles. It also deals with the relationship between the Arab calligraphy and plastic elements, such as decorative, geometric and floral elements and stalactites as well, which have had a clear role in interior and exterior architecture. The Functionalities and cotemporary aesthetic of such elements have been studied, as they are basic and alphabetical elements of plastic arts with a very important organic function as to keep the local identity. This study also sheds light on modern architectural experiences and various collection of the use of handwriting in new ways, while maintaining a special sense that keeps link with the ancient creative heritage.
Being a hybrid, hyphenated literature, Arab-American Literature, which attempts to articulate the identity of its producer, exhibits wide ranging references to its Arabic and Islamic background. Surveying a vast corpus of Arab-American writings, t he present paper demonstrates the overwhelming presence of Arabic and Islamic culture in such writings, discussing its various textual forms and, thus, confirming the Arabic component of Arab-American identity.
This paper discusses the poetic patterns and psychological which are conveyed by imagery in modern Poetry Divan in Yemen, and which Poets used to direct their meaning. Images in poets divans varied between simile, sensational images and metaphori cal prosopopoeia, embodiment, "symbolism" the images that displays poet mentality. The psychological functions achieved by rhetorical uses create a bridge of understanding with audience. They show a gap in the relation between the images and psychological denotations, and they carry a plenty of contemporary significance in their symbols, these pictures will remain in the interior constructing context which came from undulation of the psychological movement whether these images were sensational, mental or symbolic. So employing the psychological rhetoric and is denotation by the poets is confined to articulation only, but exceeds to the inspirations & psychological undulation which addresses the conscience, therefore the poets did not use certain rhetoric pattern or type of images move a the others, but they widened the use of rhetoric so as to able to deal with reality in all its facts and forms, and explain their attitudes and feeling towards this reality.
comments
Fetching comments Fetching comments
Sign in to be able to follow your search criteria
mircosoft-partner

هل ترغب بارسال اشعارات عن اخر التحديثات في شمرا-اكاديميا