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Register a new userThe Narration and its Techniques in the Play (Yawm Min Zamanina) (A Day from our Time)
السرد و تقنياته في مسرحية (يوم من زماننا) لسعد الله ونوس
2092
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يعدّ سعد الله ونوس من أبرز الباحثين عن أشكال فنية جديدة في المسرح العربي , و يتجلى ذلك من خلال بناء نصوصه المسرحية, التي تحمل مجموعة من المقومات الفنية الحديثة, فكما كان لأعماله المسرحية الأولى بناها الفنية التي كونتها و أعطتها أبعادها الفنية و الفكرية, فإن نصوص التسعينيات أخذت لنفسها صبغتها المسرحية الجديدة فيالمبنى و المعنى معاً. و من المقومات الفنية التي شكّلت هذه المرحلة في كتابة النصّ المسرحي تقنية السرد, التي أدخلها ونوس بوصفها بنية رئيسة في أعماله المسرحية و منها مسرحية (يوم من زماننا)؛ إذ استخدم ونوس فيها تقنيات سردية متعددة أسهمت في إنتاج الدلالات و العلامات و حققت تكاملاً درامياً في بناء النصّ المسرحي.
Saadalla Wannous is considered from the most important seekers for new technical forms in the Arabic Theatre. This appears through his plays that bear a collection of modern technical constituents. His early plays had technical structures that gave them technical and intellectual dimensions. The plays of the nineties were qualified with new tincture in both the structure and the meaning. From the technical constituents that formed this phase in writing the scripts is the narration technique that Wannous entered as a major structure in his drama, one of which is (Yawm Min Zamanina) (A Day from our Time) , in which he used diverse narrative techniquesto contributed in the production of the indicatives and signs and achieved a dramatic integration in the Play building up.
References used
ابراهيم, عبدالله. السردية العربية. المركز الثقافي العربي, بيروت, ط1, تموز, 1992.
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يحلل هذا البحث مسرحية حنيف قريشي التخم . إنه يجسد المجتمع المتعدد الثقافات في
بريطانية في فترة الثمانينات من القرن الماضي من وجهة نظر البريطانيين و الأقليات,
تحديداً المهاجرين الباكستانيين و الذين يمثلون مهاجرين من الجيل الأول و الثاني. يبين
قريشي
المصاعب التي تواجهها هذه المجموعة الإثنية و رد فعل أفرادها على هذه
المشاكل.
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