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Register a new userThe Represented Figures of the Mesopotamian Epic of Gilgamesh In the Ancient Relief Sculpture
تمثيل شخصيات ملحمة جلجامش الرافدية في النحت البارز القديم
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يتألف البحث من: مقدمة: تتضمن لمحة عن تارخ الأساطير و التعريف بالأسطورة و أصلها بالفرنسية و اليونانية و معناها بالعصر الحديث. و التفريق بينها و بين الأجناس الأدبية الأخرى. علاقة الأسطورة بالفن: نرى ذلك جلياً في أساطير الخلق و تجسيداتها الفنية من نقوش و تماثيل و أختام قديمة في حضارات متعددة. ملحمة جلجامش: و فيها تعريف بالبطل و بالقصة الأسطورية. مشاهد الصراع في الأسطورة: تتجسد هذه المشاهد في الملحمة على الشكل الآتي: - صراع جلجامش مع أنكيدو - الصراع بين جلجامش و أنكيدو مه هوواوا مرةً، و مع ثور السماء مرةً أخرى. - صراع جلجامش مع الحيوان المفترس. الشخصيات المحورية في المشاهد المجسدة بالأسطورة: شخصية جلجامش، أنكيدو، هوواوا، ثور السماء، الإنسان العقرب. الآلهة (شاماش، عشتار، آن). لينتهي البحث بالخاتمة و ملحق الصور.
The research consists of: Introduction: it includes an overview of dates, definition of mythology in Greek and French origin and its meaning in the modern era. It differentiates between them and other kinds of literature. The relationship between the myth and art: as shown in the myths of creation and artistic of inscriptions, statues and seals in ancient civilizations. Epic of Gilgamesh: with the definition of hero and legendary story. Scenes of the conflict in the legend: this notion of epic scenes in the following form: - Conflict of Gilgamesh with Enkidu - The conflict between Gilgamesh and Enkidu versus Hoawa , and against the bull of heaven. - Conflict between Gilgamesh and the predator. Central characters in the scenes of the myth: Gilgamesh, Enkidu, Hoawa, bull of heaven, the human Scorpio, Gods (Chamash, Ishtar, Anne). At the end, the paper conclude with some results along with some sample pictures.
Artificial intelligence review:
Research summary
يتناول البحث دراسة تمثيل شخصيات ملحمة جلجامش في النحت البارز القديم، ويبدأ بمقدمة عن تاريخ الأساطير وتعريف الأسطورة وأصلها ومعناها في العصر الحديث، بالإضافة إلى علاقتها بالفن. يركز البحث على مشاهد الصراع في الملحمة مثل صراع جلجامش مع أنكيدو، هوواوا، وثور السماء، ويستعرض الشخصيات المحورية مثل جلجامش، أنكيدو، هوواوا، والآلهة مثل شاماش وعشتار. يتناول البحث كيفية تجسيد هذه الشخصيات في النحت البارز والنقوش والأختام القديمة، ويقارن بين مشاهد الصراع في ملحمة جلجامش ومشاهد الصراع في حضارات أخرى مثل الحضارة الإغريقية والمصرية. ينتهي البحث بخاتمة وملحق للصور.
Critical review
دراسة نقدية: يقدم البحث تحليلاً شاملاً ومفصلاً لتمثيل شخصيات ملحمة جلجامش في النحت البارز القديم، ويستفيد من مصادر متعددة لتعزيز النقاط المطروحة. ومع ذلك، يمكن القول إن البحث يفتقر إلى تحليل أعمق للعوامل الاجتماعية والثقافية التي أثرت على فن النحت في تلك الفترة. كما أن المقارنة بين الحضارات المختلفة قد تكون أكثر فعالية إذا تم التركيز على الفروقات الدقيقة في الأساليب الفنية والتقنيات المستخدمة. بالإضافة إلى ذلك، يمكن تحسين البحث بإضافة المزيد من الصور والأمثلة التوضيحية لتعزيز الفهم البصري للقارئ.
Questions related to the research
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ما هي الشخصيات المحورية في ملحمة جلجامش التي تم تناولها في البحث؟
الشخصيات المحورية التي تم تناولها في البحث تشمل جلجامش، أنكيدو، هوواوا، وثور السماء، بالإضافة إلى الآلهة مثل شاماش وعشتار.
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كيف تم تمثيل مشاهد الصراع في ملحمة جلجامش في النحت البارز القديم؟
تم تمثيل مشاهد الصراع في ملحمة جلجامش في النحت البارز القديم من خلال النقوش والمنحوتات والأختام التي تصور الصراعات بين جلجامش وأنكيدو، هوواوا، وثور السماء، مع التركيز على التفاصيل الفنية والتقنيات المستخدمة.
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ما هي العلاقة بين الأسطورة والفن كما تناولها البحث؟
العلاقة بين الأسطورة والفن تتجلى في كيفية تجسيد الأساطير في الأعمال الفنية مثل النقوش والمنحوتات والأختام، حيث تُستخدم هذه الأعمال لتصوير الشخصيات والأحداث الأسطورية بشكل مرئي.
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ما هي الفروقات بين مشاهد الصراع في ملحمة جلجامش ومشاهد الصراع في الحضارات الأخرى؟
الفروقات بين مشاهد الصراع في ملحمة جلجامش ومشاهد الصراع في الحضارات الأخرى تكمن في الأساليب الفنية والتقنيات المستخدمة، حيث تميزت الحضارة الرافدية بالمبالغة في أحجام الشخصيات والرموز، بينما اتجهت الحضارة الإغريقية نحو الواقعية والتشريح الدقيق.
References used
Jeremy Black, Anthony Green: Gods, Demons and Symbols of Ancient Mesopotamia: An Illustrated Dictionary, 1992, University of Texas Press
بادنجكي، طاهر: قاموس الخرافات والأساطير، ط 1،طرابلس/لبنان،جروس برس، 1996
الباش، حسن: الميثولوجيا الكنعانية والاغتصاب التوراتي، ط 1، دمشق، دار الجليل، 1988
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