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Register a new userFormal expression for sculptures and paintings Between Islamic Art and Art of the Ancient Near East
التعبير الشكلي للمنحوتات و الرسوم بين الفن الإسلامي و فنون الشرق الأدنى القديم
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يسلط البحث الضوء على الجوانب المتشابهة في التعبير الشكلي لكل من الفن الإسلامي و فنون الشرق الأدنى القديم، إِذ تجلت هذه الجوانب في العديد من السمات الفنية الشكلانية، كالتكرار و التناظر و الشفافية و المنظور و غياب الظل و النور، فضلاً عن غيرها من السمات التي يمكن معاينتها في النتاجات الفنية لهذه الفنون. و مع الفوارق الزمنية و الجغرافية و الفكرية بين حضارات الشرق الأدنى القديم و الحضارة الإسلامية، فإن هناك العديد من العوامل الموضوعية التي أدت أدواراً متفاوتة التأثير في حالة التشابه هذه. و أبرز هذه العوامل هو التشابه الواضح في الخصائص المناخية و البيئية التي نشأت فيها تلك الحضارات، و كذلك عامل الاحتكاك الناجم عن التناحر و الهجرات المتبادلة بين شعوب هذه المنطقة، فضلاً عن التعاقب الحضاري بين تلك الفنون من جهة، و الفن الإسلامي من جهة ثانية. إِذ أدى كل من الفن الساساني و الفن البيزنطي دور الوسيط بين تلك الفنون و الفن الإسلامي، نظراً إلى تأثر هذين الفنين بفنون الشرق الأدنى القديم.
Research sheds light on aspects Similar to express formal each of Islamic Art and Art Ancient Near East, where reflected these aspects in many technical features formalism, Iterance, and symmetry, transparency and perspective and the absence of shadow and light, as well as other features that can be previewed in the artistic to the arts . Despite the temporal and geographical disparities and intellectual between civilizations of the ancient Near East and the Islamic civilization, there are several objective factors that played varying roles influence in the case of these similarities. The most prominent of these factors is the obvious similarity in climatic and environmental characteristics that originated those civilizations, as well as the friction factor resulting from mutual rivalry and migrations between the peoples of this region, in addition to the cultural succession between these arts on the one hand, and Islamic art from the second hand. Where he played all of Sassanid art and Byzantine art as a mediator between these arts and Islamic art, due to these tow arts had been influenced by the arts of the ancient Near East.
References used
علي جواد، تاريخ العرب قبل الإسلام، ج 1، القسم . السياسي، مطبعة التفيض بغداد 1950 م،ص 148
صالح عبد العزيز، حضارة مصر وآثارها، نقلاً أبو صالح الألفي، الفن الإسلامي، دار المعارف، ط 2، لبنان، ص .19
الألفي، أبو صالح، الفن الإسلامي، دار المعارف، ط 2 لبنان.
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The releif and other Art works contain monuments, like statoes
paintings, jewelry, ivory, bones, wood and athermaterials which man used to achieve these Art pieces.
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and it's
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possibilities, so he used the instrument to bring for the earth from its obsession and make
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is considered as an important effect on the whole historicall
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nor subject to any religious guidance. With certain spiritual nature, such Islamic art might
have sought to avoid prohibition fatwas.
Finally, art could not be freed from religion scopes until Renaissance had come with its
human and mental spirit.
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