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Register a new userThe Art of "Antithesis" in the Art of Signatures
فن الطباق في أدب التوقيعات
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منيرة فاعور( باحث )
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راقني جمال (التوقيعات) و ما امتازت به من ثراءٍ عظيم في مفرداتها، و إتقانٍ محكم في تراكيبها، و زخرف أخاذ في أشكالها، و جمال موسيقي في جرسها، كلّ كلمة فيها آخذة برقاب الكلمة الأخرى في صنعة أدبية متقنة. و لعل السبب في ذلك يعود إلى طرافة هذا الفن النثري و تنوعه، فضلاً عن صدورها عن أُناس لهم إسهامات كثيرة في تثبيت أركان الدولة الإسلامية، و بناء حاضرها، و صياغة مستقبلها. و مع أهمية هذه (التوقيعات) لم أجد من تعرض لدراستها من ناحية الذوق الجمالي، فما يزال البحث البلاغي يفتقر إلى الدراسة التحليلية للوقوف على أسرار الفنون البلاغية التي تؤدي داخل النص وظيفة تستحق البحث عنها. من هنا تأتي أهمية هذا البحث، فهو يسعى إلى دراسة أحد هذه الفنون البلاغية (الطباق) لما له من حضور كثيف لافت في التوقيعات، و قد تبين أن لاستخدامه مهمات محددةً تُلبي دواعي التجربة الشخصية، و التذوق الجمالي، و التأثير النفسي، و ليس مجرد حلية لفظية أو تلاعب بالكلمات.
I admired the charm of "Signatures", their richness of vocabulary, construction, perfection and musical fusion .Each word is tightly connected to the other within an accurate literary form. And these might be a consequence of the characteristics of this prose art and its being a product of persons who have many contributions in consolidating the pillars of the Islamic state, and its present and future . The Importance of this research comes from addressing one of these rhetorical arts (Antithesis) which are heavily present in "Signatures". It is clear that using (Antithesis) had special importance built on the personal experience, the aesthetic sense and the psychological effect, it is not only a mere articular decoration or playing on words .
References used
الإيضاح في علوم البلاغة للخطيب القزويني، دار الكتب العلمية، بيروت- لبنان, تاريخ بلا.
البديع في شعر شوقي، د. منير سلطان، منشأة المعارف، الإسكندرية، ط 2 1992 م، تاريخ بلا.
بديع القرآن لابن أبي الإصبع المصري، تقديم حنفي محمد شرف- دار نهضة مصر.
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Mikhail Naima who is considered one of the main pillars in Al-mahjar
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