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Register a new userThe Assyrian Mural Art
الفن الجداري الآشوري
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عبرت حضارة بلاد الرافدين القديمة عن التطور الحضاري و السياسي الذي بلغته بلاد الرافدين في ذلك الوقت، و انعكس ذلك التطور على كافة نواحي الحياة و خصوصًا على الناحية الفنية. و قد كان للفن الجداري منذ القديم دورًا واضحًا في تقريب الدين إلى أذهان الناس من خلال تزيين المعابد و الاعتناء بزخارفها و رسوماتها. و تميزت بلاد الرافدين بالإنتاج الفني الغزير، الذي اتصف بالدقة في التعبير عن شتى المواضيع، كما أحدث الآشوريون ثورة في تاريخ الجداريات الفنية، و ذلك من خلال الإيحاء بالعمق داخل اللوحة.و تميز الفن الآشوري أيضًا بإظهار صفة القوة الجسمانية في الأشكال الإنسانية و أشكال الحيوانات المفترسة. و ركز على تسجيل الأمجاد و البطولات و الانتصارات الحربية.
The ancient civilization of Mesopotamia expressed widely its high levels of political and civilized development at that time. That progress reflected on the evolution of all aspects of life, especially on the artistic one. Since ancient times, Mural Art got an obvious role in bringing religion closer to the minds of people through decorating temples and taking care of its ornamentation and graphics. Mesopotamia was distinguished for its prodigious artistic production, which was well known by its precision in expressing various topics. The Assyrians made a revolution in the history of Murals art by suggesting depth within the painting itself. The Assyrian art was also superior in showing the physical strength in the human, animal and predators' forms. It also focused on documenting the of glory of heroism and military victories.
References used
الفن في بلاد ما بين النهرين./تأليف كريستينا غافليكوفسكا.ترجمة الدكتور المهندس كبرو لحدو-دار الينابيع ١٩٩٥
http://en.wikipedia.org/wiki/Lascaux
www.crystalinks.com/assyrianwingedgod
الفن و الإنسان- د.عز الدين اسماعيل
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Heidegger's philosophy of art is considered a philosophy that is different from what
we are used to with other philosophers. He made art as one of ways to expose the truth,
because the quiddity of existence manifests from appearance of the existed
and it's
openness by the work of art, within a stressful relationship between the world and the
earth. The art has to bring them closer, so that man can create a world that contains all
possibilities, so he used the instrument to bring for the earth from its obsession and make
the world appear.
What we want to get to in this research is knowing the basic ideas about Heidegger's
philosophy of art, and explaining the concept of aesthetics from his point of view. This was
done through our presentation of his philosophy and the subjects that he adopting. "The
origin of work of art, the relationship between world and earth, and the concept of truth",
and treated by examination using a method that combines phenomenology with ontology to
answer the question: "What the quiddity of art is?"
While Yu and Poesio (2020) have recently demonstrated the superiority of their neural multi-task learning (MTL) model to rule-based approaches for bridging anaphora resolution, there is little understanding of (1) how it is better than the rule-based
approaches (e.g., are the two approaches making similar or complementary mistakes?) and (2) what should be improved. To shed light on these issues, we (1) propose a hybrid rule-based and MTL approach that would enable a better understanding of their comparative strengths and weaknesses; and (2) perform a manual analysis of the errors made by the MTL model.
Every era has its own intellectual and social dimensions the influence of which extend to
touch the artistic topics in terms of creativity and production conditions. The religious belief
is considered as an important effect on the whole historicall
y-successive artistic process. The
oppression exercised by the religious authority on creativity has always been present, but in
forms that differ from an era to another.
Viewing the religious theme embodied in art works, we will recognize that vast area achieved
throughout ages.
At early stages art rested on primitive, mysterious magic-based beliefs. Then art introduced a
physical representation of the images of the national gods and religious beliefs that used to
give explanations about the universe and glorify kings. Clergymen, then, started to identify
the boundaries and function of art in a way that served their goals. Christian religious men
continued to employ art for the sake of their messages and teachings with a controversy over
the role and limits of art. On the other side, Islamic art expanded but it neither served belief
nor subject to any religious guidance. With certain spiritual nature, such Islamic art might
have sought to avoid prohibition fatwas.
Finally, art could not be freed from religion scopes until Renaissance had come with its
human and mental spirit.
This paper focuses on paraphrase generation,which is a widely studied natural language generation task in NLP. With the development of neural models, paraphrase generation research has exhibited a gradual shift to neural methods in the recent years.
This has provided architectures for contextualized representation of an input text and generating fluent, diverseand human-like paraphrases. This paper surveys various approaches to paraphrase generation with a main focus on neural methods.
Research sheds light on aspects Similar to express formal each of Islamic Art and Art Ancient Near East,
where reflected these aspects in many technical features formalism, Iterance, and symmetry,
transparency and perspective and the absence of sha
dow and light, as well as other features that can be
previewed in the artistic to the arts . Despite the temporal and geographical disparities and intellectual
between civilizations of the ancient Near East and the Islamic civilization, there are several objective
factors that played varying roles influence in the case of these similarities. The most prominent of these
factors is the obvious similarity in climatic and environmental characteristics that originated those
civilizations, as well as the friction factor resulting from mutual rivalry and migrations between the
peoples of this region, in addition to the cultural succession between these arts on the one hand, and
Islamic art from the second hand. Where he played all of Sassanid art and Byzantine art as a mediator
between these arts and Islamic art, due to these tow arts had been influenced by the arts of the ancient
Near East.
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