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Register a new userThe Role Of Minerals In The Creative Process By Picasso, Calder And Cesar
دور خامة المعدن في العملية الإبداعية عند الفنانين بيكاسو و كالدر و سيزار
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Authors
محمد ميرة( باحث )
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إن التقدم التقاني (Technologique) الهائل، و حماس النحات العارم لتطوير فن النحت المعدني الأصلي في المواد غير المكلفة و الطبيعية و سهلة المنال تؤمن لعمله النحتي الديمومة، و تلبي هذه المواد غريزته الابتكارية و صدى لصدقه و صبره و صرامته الفنية. اختار نحاتو القرن العشرين. و الموهوبون بيكاسو و كالدر و سيزار (خامة المعدن) مترجمين في أعمالهم براعتهم و إبداعاتهم و ابتكاراتهم المثيرة، متوسعين في منجزاتهم النحتية، حيث تظهر بشكل جلي العلاقة الوثيقة و المتبادلة في الأدوار بين مادة التمثال و الحالة الإبداعية فيه. يلقي الباحث الضوء على موجز لأعمال الفنانين الثلاثة الأكثر إبهارٌا في عصرنا، و النحاتون الثلاثة سابقو الذكر بدأت تجاربهم المعدنية بالواقعية الكلاسيكية، و انتهى الأمر بهم إلى النحت الحديث و منه التجريد كما هو الأمر عند كالدر و سيزار في أعمال عديدة. و غزت أعمالهم النحتية العظيمة العالم الحديث مثبتين بذلك العلاقة الوثيقة التي لا تنفصل بين الخامة المعدنية و الإبداع الفني في التمثال.
The huge technological advancement and the artist's enthusiasm for the development of original metallic sculpture using non-costly, accessible and natural material that provides sculpting work continuance and meets his/her innovative instinct as a reflection of their faithfulness, patience and technical seriousness. The sculptors of the twentieth century especially the talented artists as Picasso, calder and cesar chose metal thus translating their amazing skills, creativity and innovation in their works, and expanding their sculpted achievements in a close and reciprocal relationship between the monument and creativity clearly appears. In this research, we shed light on a summary of the most three dazzled artists in our age, not to forget that those three artists started with classical realism in their experience in metal works to end with modern sculpting including abstraction which is manifested in calder and cesar's new works. Their great works invaded the modern world, thus proving the close relationship between metal and artistic creativity in a statue.
Artificial intelligence review:
Research summary
تتناول هذه الورقة البحثية تطور الفن التكنولوجي من خلال استعراض مجموعة من الأعمال الفنية لفنانين مشهورين مثل بيكاسو وغونزاليس وكالدر وغيرهم. يتم التركيز على كيفية استخدام التكنولوجيا والمواد الحديثة في إنتاج الأعمال الفنية، مع تقديم أمثلة محددة لكل فنان. تتضمن الورقة صورًا توضيحية للأعمال الفنية ومناقشات حول التقنيات المستخدمة في إنشائها، مثل اللحام الكهربائي والفولاذ المقاوم للصدأ والسيراميك. كما تُستعرض تأثيرات هذه الأعمال على تطور الفن الحديث وكيفية تفاعلها مع المتغيرات الثقافية والاجتماعية في فترات زمنية مختلفة. يتم أيضًا تحليل الأعمال الفنية من منظور تاريخي وفني، مع الإشارة إلى المصادر والمراجع التي تدعم الدراسة.
Critical review
دراسة نقدية: على الرغم من أن الورقة تقدم نظرة شاملة ومفصلة حول تطور الفن التكنولوجي، إلا أنها تفتقر إلى التحليل النقدي العميق لبعض الأعمال الفنية. كان من الممكن أن تكون الدراسة أكثر ثراءً إذا تضمنت مقارنات بين الأعمال الفنية من حيث تأثيرها الثقافي والاجتماعي. كما أن الورقة تركز بشكل كبير على الجانب التقني دون التعمق في الأبعاد الفلسفية والجمالية لهذه الأعمال. بالإضافة إلى ذلك، كان من الممكن تحسين الورقة بإضافة المزيد من الآراء النقدية من خبراء الفن لتعزيز النقاش.
Questions related to the research
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ما هي التقنيات المستخدمة في الأعمال الفنية التي تناولتها الورقة؟
تتضمن التقنيات المستخدمة اللحام الكهربائي، الفولاذ المقاوم للصدأ، والسيراميك.
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من هم الفنانون الرئيسيون الذين تناولتهم الورقة؟
الفنانون الرئيسيون هم بيكاسو، غونزاليس، وكالدر.
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كيف أثرت التكنولوجيا على تطور الفن الحديث وفقًا للورقة؟
أثرت التكنولوجيا على تطور الفن الحديث من خلال تقديم مواد وتقنيات جديدة للفنانين، مما أتاح لهم إمكانية التعبير بطرق مبتكرة ومتنوعة.
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ما هي الانتقادات التي يمكن توجيهها لهذه الورقة؟
الانتقادات تشمل نقص التحليل النقدي العميق لبعض الأعمال الفنية والتركيز الكبير على الجانب التقني دون التعمق في الأبعاد الفلسفية والجمالية.
References used
Heunz R. Fuchs. L'artDans Le Monde (Sculpture Contemporaine), Editions Albin Michel, 1972 P 168
Jean-Charles HachetCesar Au Les Metamorphoses Du Grand Art, Editions Varia, Paris- October 1989 P 13,21,24,39,48,52,82
Jran C Octeau: Chefs- D'oeuvre De L'art, Librairie Hachette 1963 P. 98,102,103,122,133
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