يسلط هذا البحث الضوء على بعض التأثيرات الفنية للمنمنمات الإسلامية في تجربة الفنان بابلو بيكاسو من خلال تتبع مناحي هذه التأثيرات عبر المراحل التي مرت بها تجربته الفنية، بدءاً بالمرحلة الزرقاء، مروراً بالمرحلة الوردية، ثم المرحلة التكعيبية، ثم المرحلتين التجريدية و الكلاسيكية المتزامنتين تقريباً ثم المرحلة السريالية. و قد تم الوقوف عند هذه التأثيرات من خلال التوقف عند خمسة مناحٍ و هي: المنحى التعبيري، و المنحى الاصطلاحي، و المنحى الذهني، و المنحى الموضوعي، و المنحى التشكيلي. و قد توصل البحث إلى عدد من النتائج و التوصيات، أهمها قابلية الجمالية الإسلامية في
التصوير للاستلهام في التجارب التصويرية المعاصرة.
Research sheds light on some artistic effects of Islamic miniatures in some paintings of the artist Pablo
Picasso, by tracking aspects of these effects through phases of his artistic experience, the start
of the Blue Period, through the pink stage, then phase of cubism, then phases abstract and classic almost
concurrent, then Surrealism stage. Was standing when these effects through stand at five
aspects: Expressionist oriented, terminological oriented, mental-oriented, objective-oriented, and oriented
plastic. The search had reached a number of conclusions and recommendations, the most important
Islamic aesthetic portability in painting for inspiration in contemporary painting experiments.
References used
باونيس، آلان، الفن الأوروبي الحديث، ت: فخري . خليل، دار المأمون، بغداد 1990
Carsten-Peter Warncke, Pablo Picasso 1881-1973, Taschen, Part 1
Elke Buchholz, Beate Zimmermann, Pablo Picasso, Sa vie et son oeuvre
This research study aims to investigate some works of Picasso, as one of the most famous names in
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