The interpretation of my reading art is based on the transition from the direct
meaning in the apparent form to the indirect meaning in the implicit pattern, and verbal
functions, images, and loaded structures are strongly suggestive.
The critics
of pre-Islamic poetry have enriched the old literature, adding to it the
dimensions of literacy, and their interpretations of psychological meanings and profound
semantics, indicating beyond the apparent textual levels, to various explanatory meanings,
gave the textual poetry poetic content another poetry is the receipt.
The interpretations of the critics presented a variety of purposes, based on the
linguistic explanation, and the will of the poet at other times. The opinion of the reader and
his convictions may intervene in this position, but they are interpretations, regardless of
their degree of credibility or persuasion. They presented modern thought and opened up
new texts. Jahili with a different vision.
The research in the literary work relationship in the inner world of the pre-Islamic
poet is a sense of special emotion and embodies a unified feeling emanating from within
the poetic text. Many Jahiliyya texts carry a psychological thread that com
bines them. ,
And this psychological unit draws its energy from the isotopes loaded with emotional
signals that deepen the horizon of expectation, and make the receiver compatible with the
poetic state of the creator of the text.
This paper aims to illustrate the effect of the textual power in the esthetics of the
poetry text, its concepts and the dimension of this effect in the light of psychological
reading of the pre-Islamic poetry. We seek to preeminence the text effect
in the receiver
who uses his psychological tools to find out about the author self, appealing for the tension
power that was assembled by the text of the pre-Islamic poetry, and depending on the
poeticalness of the pre- Islamic figure in order to obtain the esthetics effect that attracts the
receiver and demonstrates the esthetics of the pre-Islamic poetry text and its riches.
The pre-Islamic poetry was not merely an artistic formulation, but it was a position,
thought and expression from the depths of the poet Al-Jahali, in which the da'al floats, and
the meaning falls away, so we get a flexible aesthetic dimension, after it reveals that the
pre-Islamic poetry exceeded and surpassed; Their poems included a special vision of their
mental state.
This research paper presents a number of attempts in order to clarify the concept of
"surprise and breaking the horizon of expectations" .It also tends to present the mechanism
for applying this concept to the historical text which is not directly
realated to the modern
theories of linguistics. It's very clear that both sides of the concept the theoretical side, and
the partical one in Ziad Bin Abeeh's speech in AL-Basra as an applied model, belong to
two totally different fields of knowledge.
We notice this concept with Ziad Bin Abeeh's at the very first word of his speech,
where he overlooked starting with the Basemla, overriding, Thus, the protocols of
discourse openings , as if he were proceeding a text or a precedent act of speech. At this
particular point, the practical side begins to observe the concept of expectation in speech
based on the data introduced in modern linguistics in reception theory and pragmatics
through the concepts of inference and reasoning , and the act of speech and intentionality,
etc..In addition to that, the textual analysis connects the implications of these concepts
within the linguistic textual structure, and its relation with breaking the horizon of
expectation, and to what extent it affects , the discourse act and its resulting act.
Thus, pragmaticcs, which is the branch of linguistics dealing with language in use
seem to be the best approach to the analysis of Ziad's speech and figuring out its effects
on the recipient.
