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Religious terms (study of lexical- semantic)

الألفاظ الدينية و دلالاتها في النصوص الأوجاريتية (دراسة معجمية – دلالية)

593   0   52   0 ( 0 )
 Publication date 2017
  fields History
and research's language is العربية
 Created by Shamra Editor




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This research aims to shed light on the religious terminology in cuneiform texts Aloojarretah, and describes amethod and style formulated to serve the spiritual purpose of the desired included texts poetic mythology penned by writer and poet Aloojarreta in lyrics group in multi- religious events and periodic ritual.

References used
Aistleiner.J, 1902- Wörterbuch der Ugaritischen Sprache. Akadmie Verlag, Berlin, 362p
Del Olmo.G, 2004- ADictionary of the Ugaritic Language in the Alphabetic Tradition. Boston, 1006p
GORDON C.H, 1967- UGARlTlC TEXT Book. Roma, 547p
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Every era has its own intellectual and social dimensions the influence of which extend to touch the artistic topics in terms of creativity and production conditions. The religious belief is considered as an important effect on the whole historicall y-successive artistic process. The oppression exercised by the religious authority on creativity has always been present, but in forms that differ from an era to another. Viewing the religious theme embodied in art works, we will recognize that vast area achieved throughout ages. At early stages art rested on primitive, mysterious magic-based beliefs. Then art introduced a physical representation of the images of the national gods and religious beliefs that used to give explanations about the universe and glorify kings. Clergymen, then, started to identify the boundaries and function of art in a way that served their goals. Christian religious men continued to employ art for the sake of their messages and teachings with a controversy over the role and limits of art. On the other side, Islamic art expanded but it neither served belief nor subject to any religious guidance. With certain spiritual nature, such Islamic art might have sought to avoid prohibition fatwas. Finally, art could not be freed from religion scopes until Renaissance had come with its human and mental spirit.
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