ترك لنا الإنسان القديم ومنذ أكثر من مئة ألف عام تصويرًا جداريًا داخل الكهوف و على
الجروف الصخرية. و كانت هذه الرسوم و التصاوير دفاتره الأولى و أرشيفه الأول.
و قبل أن يصور و يرسم الإنسان على جدران المغاور أعتقد أنه قام بالرسم و التصوير على
جسده مستخدمًا جلده كحامل للعمل الفني، و كان الهدف من ذلك هو التزيين و التشبه بذكور
الطيور و الحيوانات التي -كما هو معروف- أكثر جمالا من إناثها و كان التزيين حكرًا على
الرجال.
Ancient human beings left for us, from one hundred thousand years, wall ,.,
paintings inside the caves, and on the rocky cliffs, these drawings and
paintings were man's first notebooks and archives.
Before drawing and painting the human being on the cave walls, Man
thought that he drew and painted on his skin using his skin as a holder for
the artistic work, the aim was adorning and imitating bird and animal
males, which were, as it was very well known, more beautiful than their
females, and adornment was for men only.
References used
Christensen: The History of Western Art. P13-14, published by mentor, 1959
National Geographic.vol.198,NO.1 July 2000.p 101
The Dialogues of Plato_with an introduction by erch segal.Bantam books. p 243
The modern revolution in Fine Arts started by rationality used for building the new form, and
it started by emotionality and sensuality in style by forming eyeglass image in the physical
reality.
The painting was a tangible declaration from the ab
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