Subscribe to the gold package and get unlimited access to Shamra Academy
Register a new userThe rationality in modern painting
العقلانية في فن التصوير الحديث -إشكالية و نقد-
1632
0 29
0
(
0
)
Created by
Shamra Editor
Ask ChatGPT about the research
قامت ثورة الحداثة في الفنون التشكيلية بالعقلانية لبناء الشكل الفني الجديد، و بالحسية الانفعالية كأسلوب في الأداء الفني لتثبيت الصورة التشكيلية عيانياً في واقع الإنسان الفيزيقي، فكانت لوحة التصوير بياناً مادياً ملموساً لعقلانيات و أفكار ذهنية مجردة. و العقل هو الذي يحرك الحواس الناقلة، و يحلل المعلومات الواردة عبرها، و يفسر معطياتها، و يستقرؤها، ثم بالمقارنة ينتج تعليمات جديدة تتضمن تغيير بنية الشكل الفني الواقعي و تحويله بواسطة الحواس من شكل محاكٍ لصورة طبيعية واقعية إلى شكل جديد يستمد روابطه الجديدة من البنية العقلية للفنان التشكيلي وفاقاً لرؤيته الجمالية التي قدمها في مرحلة الحداثة.
The modern revolution in Fine Arts started by rationality used for building the new form, and it started by emotionality and sensuality in style by forming eyeglass image in the physical reality. The painting was a tangible declaration from the abstract thinking. The reason could be the motivation to control the sensuality, to decompose the information, and to explore the results. It uses comparison of the new information for changing the construction of real form, and transfiguring it by the senses from imitation, to produce new forms as imagined by the painter. This reason is influenced by the new schools of Fine Arts, like: Impressionism, Cubism, Surrealism, and abstraction.
References used
روزنتال، م وب يودين، الموسوعة الفلسفية،ترجمة: سمير كرم، مراجعة: صادق جلال العظم و جورج طرابيشي، دار الطليعة، بيروت ،
العلوان، فاروق محمود الدين، إشكالية المنهج الفلسفي في الخطاب النقدي التشكيلي المعاصر، أطروحة دكتوراه، جامعة بغداد، كلية الفنون . الجميلة، بغداد، 2002 م
Al Aluoan, Farouk: ( Ali souleiman, dialectics of transformation and aestheties), P:Al Moulhak Al Thakafe, Journal al Thawra, Syria, Nº. 675
rate research
Read More
Rationality is by far the luckiest philosophical concept in so far as its controversial status is concerned. It is also one of the terms most liable to rejection, criticism and analysis. Hence, our paper is an attempt to unscramble the controversy re
lating to tuning the term of rationality into a concept that denotes multiple significations in the era of modern philosophy, and which are considered the real foundation of what today's world has reached in its intellectual, scientific and social aspects.
According to this terminological and conceptual context, we have tried in this paper to shed special light on the genealogy of the concept of rationality, its origins and evolution as a trend in modern European thought, given that it is a signifier that denotes the priority of the mind, and which derives from various meanings that are complementary at times, yet contradictory at others, whereby carrying multiple significations, that vary in accordance with its field of use. With a certain degree of special attention, we have also tried to glean some of the most basic meanings associated with the term of rationality. We hope that this way we may be able to clarify the obscurity that engulfs the term, something which has caused its ambiguity, and thus our confused understanding of the philosophy of modernity.
Ancient human beings left for us, from one hundred thousand years, wall ,.,
paintings inside the caves, and on the rocky cliffs, these drawings and
paintings were man's first notebooks and archives.
Before drawing and painting the human being on t
he cave walls, Man
thought that he drew and painted on his skin using his skin as a holder for
the artistic work, the aim was adorning and imitating bird and animal
males, which were, as it was very well known, more beautiful than their
females, and adornment was for men only.
The research includes: an Introduction which gave the definition of the movement (ancient and modern)
and shows the movement in the artwork and its divisions: virtual and physical external and internal
movement.
1 – The external virtual and physic
al movement that can be extrapolated through the creation of the
artwork and the relationship of elements to each other. The researcher provides the metal works that are
related to parts of the joints moving and refers to Calder as a leader of this method in sculpture.
2 - The internal Movement in the work of art: starting from movement of the point to form a line, then
the surface, down to the size of three-dimensional work, and the movement of diodes within the artwork.
Stages of the vision of the artwork it is: split into three phases a - from the standpoint of sensory, that is,
through sight movement, and the transition between the elements of the artwork, b - the analytical and
cognitive process of the similar or contrasting binaries of art work trends of elements in it, and its
interlocutor, c - the process of mind which includes The story behind the artwork.
The researcher finally deals the rhythm of the movement in the work of art, the futurism, and structural
sculpture through "Tatlin" and "Boccioni" and others. The research ends with analyzing two artworks
for the artists: Picasso and Maillol.
Using modern irrigation started as individual initiatives, then the government supported the
introduction of these techniques through the national programme for transferring to modern
irrigation that started late 2000. This programme set up to conv
ert all irrigated area, where
possible, from traditional methods to modern irrigation systems during 10 years period. The
government has issued several decisions for facilitating transfer process and ironing out the
financial and administrative constraints facing the implementation of this programme.
This research deals with the effects of colonialism in its restrictive and new forms on the Syrian identity by analyzing some of the novels of Nabil Suleiman.
Log in to be able to interact and post comments
comments
Fetching comments
Sign in to be able to follow your search criteria
